You do not need to explain their entire history. Iβd look for one concrete detail that makes this moment matter to this particular person.
What does your protagonist stand to lose in your opening scene?
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Iβd check what the reader has a reason to care about.
A chase can be exciting, but I still want some sense of who is in danger, what they want, or what losing would mean to them.
Writing a book looks like 2+2=4 from the outside. From the inside it is that second chalkboard. π
Messy, confusing and somehow still worth it. Keep going. π
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@sergecowan It actually depends on the way you want it to go. And that also depends on if you want to remove some scenes that are no longer serving the plot threads or if you need to develop any character. There's no hard and fast rule to that really.
@RealRVanDusen Yes, I'm loving the fact that you know what is good for your story. I've seen lots of authors asking others what they think for just about anything in their book. Eventually they don't get to like the story as much as when it goes the way they originally envisioned it.
@AuthorGoodwin@NovelistRJones You really should have control over your editor or betas suggestion. That's one of the reasons why my editing comes with tracked changes and annotation for my clients.