Veronica Winham '22 talks to Aaron Lit '19, a marine life photographer and fashion designer whose work is not only inspired by what he sees in the ocean, but also seeks to promote conservation and environmental awareness. https://t.co/OVELrBMTm6
James Cronin '22 thinks Robert Redford is at his best in his allegedly last film role as Forrest Tucker in "The Old Man and the Gun." https://t.co/JWky92f4d4
Dartmouth students and professors remember playwright Ntozake Shange, who passed away last month at the age of 70 and whose work "For Colored Girls Who Have Considered Suicide" was performed at the College in 2016. https://t.co/Q23boMBcDL
Thom Yorke of Radiohead took on a new musical challenge of creating a soundtrack for a horror film, and he does it phenomenally. Madison Wilson '21 reviews the eerie and intoxicating album. https://t.co/pPWF7pWiZI
Willem Gerrish '22 takes a look at the highly-anticipated Freddie Mercury biopic and finds that it doesn't match up to its hype. https://t.co/sj3tbdbSit
Celebrated West African musician and this term's music department resident Mamadou Diabate is co-teaching a course connecting the Sambla language to music.
https://t.co/w5xOkwgyCY
Celebrated science fiction writer Ted Chiang, whose short story was the basis of the film "Arrival," gave a talk on the ethics of speculative technology on Tuesday.
https://t.co/s012SDHsVm
Willem Gerrish '22 reviews director Damien Chazelle's new biopic on the personal and professional life of astronaut Neil Armstrong.
https://t.co/uoWnSOPwqB
Dartmouth Sings, a performance directed by Walter Cunningham, connected both the College and the community at large thorugh heartwarming performances with messages on acceptance and love.
https://t.co/BQ2UOYoqL5
Florida Huff '21 explores the production process and the topics discussed in "Hindsight is 20/19," a podcast series about various aspects of Dartmouth's history created to celebrate the College's 250th anniversary.
https://t.co/sjuHaBR6Xm
Isabelle Blank '19 reviews the film "Colette," meant to tell the story of a revolutionary feminist writer, and finds that it lacks the nuance it needed to be as powerful as the truth,
"Dawnland," a documentary depicting the forced separation of Native American children, left a resounding impact on the Dartmouth community after its screening this past Friday.
Jordan McDonald '21 reviews the first season of "Sharp Objects," based on Gillian Flynn's best-selling novel of the same name, and finds it a revival of the Midwestern gothic tradition. https://t.co/vPm9smrIkU
Courtney McKee '21 finds "Eating Animals" a visceral look at the U.S. agricultural industry that questions the consumer's place in it. https://t.co/d6Z9nimw4A
Lucy Turnipseed '19 reviews "Providence," by Caroline Kepnes, a mystery-love story that takes the reader on a thrilling investigation about one boy's disappearance with a New England backdrop. https://t.co/dgZepaaS3i
Student Spotlight: Armando Ortiz '19 is a costume designer, psychology student, and an innovative thinker about how costumes can relay the insights and nuances of a character without the actor having to speak a single word. https://t.co/nA5YoVheva