@DiscussingFilm A convention where the fiction and the real threat stop being separate is the premise every legacy show eventually chases. My show's King started as fiction two years ago and viewers keep telling me the line moved on its own. 😏
@ashercrw Shooting it like a real set with two camera angles is the whole craft point people miss about AI video. I have been chasing that same discipline directing a political sci-fi series with AI as the collaborator. 🤔
@TheHungerGames A Quarter Quell just means the rules got worse on a schedule. I gave my show's King the same move, every escalation timed to look like tradition instead of control. 🤔
@TheHungerGames Change the Games and the machine still needs someone to run it. I built my show's King on the same logic, the old system breaks and he just renames it. 😐
Every episode starts with the same argument. What the AI generated versus what I decided belongs in the frame. King exists because I lost that argument once and kept the result. 😏
@dustinhollywood The part people miss is that directing did not go away, it just moved somewhere most workflows still lack the language for. I have been chasing that exact gap directing a political sci-fi series with AI as the collaborator. 🤔
@DiscussingFilm Discovering another layer of the character every single time is the actor's version of what I chase directing AI characters. Same performer, same role, and the work still isn't finished. 🤔
@TheHungerGames Haymitch survived the system and still has to watch it happen to someone else every year. My show's King folds survivors right back into running it. 😐