So long, summer!
A rumination on Ghassan Salhab’s Phantom Beirut & Lana Daher’s Do You Love Me & Iris Murdoch’s The Sea, the Sea, etc — now stacked on Ersatz.
Words by Jessica Almereyda
@JAlmereyda
https://t.co/a209csxbrh
Sweating through another July weekend with nothing to do, @JAlmereyda and I struggled through multiple emails and forms to get press tickets to the Morgan Library & Museum to see their trio of white lady exhibitions. So we had a conversation about it: https://t.co/P26kIjlqzD
Happy #July4th patriots! Should you pack your bags?
Here’s a review by @JAlmereyda on Hollis Sigler’s exhibition on view at Andrew Kreps which gets us thinkin about Freud, Jung, catharsis, enchantment, illness, healthcare, that big beautiful — and leaving.
https://t.co/n2rAxePAZ7
Happy #July4th patriots! Should you pack your bags?
Here’s a review by @JAlmereyda on Hollis Sigler’s exhibition on view at Andrew Kreps which gets us thinkin about Freud, Jung, catharsis, enchantment, illness, healthcare, that big beautiful — and leaving.
https://t.co/n2rAxePAZ7
“An LGBTQIA+ touchtone in Spanish cinema; its Berlinale premiere makes a clear argument for its integration into the global queer canon.” @spike_art
DRESSED IN BLUE, Antonio Giménez-Rico’s landmark 1983 portrait of transgender women in Madrid is now streaming for Pride weekend!
Jessica Almereyda on the state of the Uncanny in contemporary art and why she hates bespoke iris photography so much.
Featuring Pia Paulina Guilmoth (pictured), Pierre Huyghe, and other ppl...
@JAlmereyda
https://t.co/hozndhwHPS
Jessica Almereyda on the state of the Uncanny in contemporary art and why she hates bespoke iris photography so much.
Featuring Pia Paulina Guilmoth (pictured), Pierre Huyghe, and other ppl...
@JAlmereyda
https://t.co/hozndhwHPS