Making of movie - Titanoboa - Behind the scenes!!
Seedance 2.5 Prompt - Made on @krea_ai
Ultra-realistic behind-the-scenes film set footage, slightly high vantage point, shot like a real making-of video on a professional handheld camera from the side of a soundstage. The set is dressed like a dense Amazon jungle location: wet muddy ground, artificial trees and vines, haze in the air, hanging rigging, practical lights, camera tracks, crew members standing off to the side, and a giant hyper-realistic animatronic anaconda dominating the set. The snake looks absolutely massive, with detailed scales, wet reflections, huge fangs, and mechanical realism.
The clip begins with the director shouting, “Action!” A female actor in adventure-film costume stands in front of the giant snake, backing away nervously as if in a creature movie scene. The snake suddenly lifts its head, opens its mouth wide, and gives a loud threatening hiss. The woman starts stepping backward and says “No, no, no!” in character. The snake lunges, coils upward, lifts her, throws her into the air so she spins once in a full 360, then catches her cleanly in its mouth and appears to swallow her whole. Everyone watching is stunned for a beat. Then immediately someone off camera yells “Cut! Cut! Cut!” The illusion breaks. The animatronic snake lowers its head and its mouth section is mechanically opened downward by the crew.
The actress casually climbs back out of the snake’s mouth, laughing and dusting herself off. She smiles and says, “I think that was a good shot.” Hair and makeup artists and crew members quickly walk in around her, checking on her and resetting the scene. The tone becomes playful and clearly behind-the-scenes. Keep it fast, clear, believable, and very realistic — like a real BTS clip from a big-budget Titanoboa-style jungle creature film. No fantasy look, no cartoon look, only grounded practical-movie-set realism.
Made with Seedance 2.0
Prompt: ⬇️
CAMERA: Handheld DV 16mm camcorder aesthetic. CHASE records herself throughout every location, mostly holding the camera directly and occasionally setting it down for brief hands-free shots. Preserve natural hand tremors, crooked composition, slow autofocus correction, awkward zooms, accidental face cropping, and moments where the framing briefly loses her. The physical camcorder is never visible.
LOOK: Authentic soft tape-image texture with mild blur, subtle electronic grain, glowing highlights, small automatic-exposure fluctuations, restrained contrast, and natural skin tones. The lighting changes realistically between locations: warm morning light in the apartment → cooler daylight inside the car → intense colorful lighting backstage and onstage.
STYLE: A fast, energetic day-in-the-life montage with sharp cuts between locations and slightly accelerated transitional movement. Reflective voiceover plays over the footage instead of synchronized dialogue. The pace gradually builds from a quiet sleepy morning into a high-energy performance finale.
Character
CHASE — an exceptionally beautiful Instagram influencer and rising pop performer in her 20s. Long glossy dark-brown hair, striking symmetrical features, large expressive eyes, flawless glowing skin, and soft pink lips. Slim, toned figure. Her outfit changes with each location: cozy loungewear at home, stylish casual clothing during the ride, and a glamorous performance outfit for the final scene. Each outfit fully covers her arms and torso.
Setting Progression
Stylish apartment bedroom in the morning → luxury van interior during the day → busy backstage area and concert stage at night.
Storyboard — 15 seconds, 5 cuts
(~3s, bedroom, camera resting on a table, soft morning light) She slowly sits up, stretches, fixes her messy hair, and hurriedly packs a small bag. VOICEOVER (CHASE): “Some mornings begin before I’m even fully awake.”
(~3s, van interior, handheld selfie footage, natural window light) She sits beside the window as sunlight moves across her face, casually checking messages on her phone. VOICEOVER (CHASE): “I spend so much time on the road, this place almost feels like home.”
(~3s, van interior, macro detail shot) Close-up of her fingers choosing a song from a playlist while passing sunlight flickers across the screen and her hand. No voiceover, only natural road noise.
(~3s, backstage, fast handheld montage) Quick glimpses of makeup brushes, hair styling, costume adjustments, staff rushing past, and her taking one focused breath before going onstage. VOICEOVER (CHASE): “And then everything suddenly starts moving at once.”
(~3s, stage, wide shot moving into a close-up, energetic finale) Bright stage lights ignite as she steps through the curtains. The camera catches her silhouette, then a brief confident smile before the image cuts to black. VOICEOVER (CHASE): “This moment is why I keep doing it.”
#AIVideo
Our 95-minute AI feature film, Hell Grind, is now fully open-sourced for the Higgsfield Global Film Festival.
All the prompts and assets are public.
It was made for $500,000, screened in Cannes Market, and drew coverage from The Wall Street Journal, Variety, and BBC News.
A premium vintage travel poster featuring [Country/City Name] with a large tablet placed in the center displaying a handcrafted 3D papercraft diorama of the destination. The scene seamlessly emerges from the tablet screen into the real world, with colorful paper-cut elements flowing outward. Include iconic landmarks, charming streets, coastal scenery, mountains, flowers, local architecture, traditional culture, regional patterns, native plants, boats, wildlife, and signature foods arranged in an artistic composition.
A realistic hand holding a stylus is actively drawing the artwork, creating the illusion that the destination is coming to life. Around the tablet, decorate the poster with vintage passport stamps, postage stamps, travel sketches, handwritten arrows, illustrated local symbols, maps, botanical drawings, and torn paper textures.
Typography at the top features the destination name in elegant large serif lettering, followed by a refined travel tagline and a smaller subtitle. The poster has warm aged parchment paper, textured paper fibers, soft shadows, layered paper-cut craftsmanship, editorial layout, premium magazine-quality design, subtle depth, cinematic lighting, highly detailed miniature environment, realistic paper textures, elegant composition, luxury tourism campaign aesthetic, handcrafted mixed-media illustration, ultra-realistic, 8K
FINALLY! ⚔️
I GOT FLUX 3!
TIME FOR NINJAS!
A war fought in silence, one model launch at a time. A cold, controlled confrontation between two rivals on a rain-soaked rooftop at night shot with the discipline of a 1980's thriller: clean geometric framing, wide nocturnal cityscapes bleeding blue and amber through the rain, hard practical light, deep saturated shadow, everything wet and reflective, tension carried through stillness and silence rather than spectacle. Grounded and real no gore, no excess, just weight and consequence in every frame. 35mm grain, anamorphic flares, color timing cold and desaturated at the edges, true to a hard-edged early-1980s theatrical print.
On the rooftop, a lean, powerfully built ninja stands dead still, coiled matte-black bodysuit and armored vest straining against his frame, an arched pointed cowl, a cloth mask hiding everything but two hard, unblinking eyes, a black scarf snapping in the wind, segmented leather forearm guards, tabi boots, a katana slung across his back like a verdict waiting to be delivered. His breath shows faint in the cold. Across from him, close, stands a striking 24-year-old woman long wavy blonde hair pinned flat by the rain, hard green eyes locked on his, athletic frame braced and still in a fitted dark tactical jacket. Her control is visible; whatever fear is under it, she doesn't let it move her. Steam claws up from the vents between them; the skyline burns cold and hazy behind the downpour; hard rim light rakes every falling drop like static.
The exchange is lean, controlled, nothing wasted — the kind of dialogue that lands because of what it doesn't say. The ninja leans in, voice low and grave, barely above the rain: "Flux Three. Seedance. H3. A new model drops every few hours now." The woman's hand comes up once, sharp, controlled not a flinch, a statement: "I know the second I master one, three more take its place, and I hear there's even more coming before the night is over. How is anyone supposed to survive this?" His eyes narrow to slits. The answer comes quiet, final, absolute: "You don't survive it. You adapt or you disappear." She holds his gaze, unmoving, and says only: "...Great pep talk, ninja." She does not smile, does not break eye line, does not move again she simply holds still, composed, letting the line sit in the silence.
Thunder detonates and a sheet of lightning whites out the frame the flash becomes the transition itself, no cut, the glare bleeding to black film grain as it resolves into a cinematic logo reveal. Bold, weathered trailer-style type burns onto the screen, lit like a title card from a real 1980s theatrical release. A deep, gravel-worn baritone the unmistakable cadence of a serious old-school movie-trailer announcer —intones the title with total gravity: NIGHT OF THE AI DROPS. A full, heavy beat of silence holds the frame. Then the tagline drops beneath it, same grim weight, given all the room it needs to land clean: COMING SOON TO A THEATRE NEAR YOU. The text trembles faintly with grain and analog flicker as the voiceover finishes, a deep bass trailer sting rolling in under the dying thunder and holding through to black.
The camera holds disciplined and precise — slow push-in, razor-thin anamorphic focus, minimal handheld sway, tense over-the-shoulder framing, nothing decorative. Rain hits concrete hard and constant, distant traffic growls below, a low ominous synth drone builds under the dialogue, tightens, and is swallowed whole by the thunderclap, the lightning transition, and the trailer sting under the title card.
@bfl_ai
No way, this is golden 🤣😂
with MiniMax H3 on @higgsfield_ai
- Prompt:
The Office (US) mockumentary style. Dunder Mifflin conference room,
mid-afternoon, harsh fluorescent lighting, cheap office chairs,
whiteboard at the front. Handheld documentary camera, slightly
unsteady, with sudden reframes and quick zooms toward whoever is
reacting.
Michael Scott stands at the whiteboard, overly excited, marker in
hand, badly drawn diagram behind him. The staff sit around the table
looking exhausted. Stanley Hudson sits at the far end, glasses on,
head down over a folded crossword puzzle, completely disengaged.
DIALOGUE:
MICHAEL (loud, proud): "Okay everybody, listen up. Large language
models. L-L-Ms. This is the future of the paper industry."
Beat. Nobody reacts. Camera pushes in slowly on Stanley — he does not
look up, does not blink, keeps filling in his crossword.
MICHAEL: "Which is why corporate is giving a bonus to whoever—"
Instant snap zoom to Stanley. His head lifts. He takes off his
glasses. Dead serious.
STANLEY: "I'm listening."
MICHAEL (waving him off): "—anyway. Moving on. Next topic. Prompt
engineering."
Snap zoom back to Stanley. He immediately puts his glasses back on,
lowers his head, and returns to the crossword as if nothing happened.
Cut to Jim, who slowly turns his head and looks directly into the
camera lens with a flat, knowing expression. Hold for two seconds.
STYLE: single-camera sitcom shot like a documentary crew is present,
natural performances, no laugh track, muted office color palette,
slightly soft consumer-camera look, characters occasionally glancing
at the lens.
Use the uploaded image as the exact person. Preserve identity, facial structure, hairstyle, skin tone, body proportions and expression perfectly.
Create a luxury old money editorial portrait. The subject is wearing a premium linen shirt, pleated trousers, leather loafers, sunglasses and a luxury wristwatch, leaning casually against a vintage European convertible on a scenic European coastal road during golden hour. Warm cinematic sunlight, luxury travel atmosphere, mountains, lake or ocean backdrop, elegant architecture, quiet luxury aesthetic, premium fashion editorial, magazine cover composition, natural relaxed pose, soft atmospheric haze, beautiful reflections, rich cinematic color grading, shallow depth of field, 85mm portrait lens, ultra photorealistic, luxury campaign photography, timeless elegance, Vogue and GQ editorial quality. No text, no watermark, no extra people, no identity changes.