Everyone thinks the whole nepo baby thing is about their parents literally lining them up with a job, but it's about knowing you can take risks and really go for it because your family can help you out financially if it all goes wrong. It's about even feeling like you can try.
Lily Gladstone says "it’s irrelevant whether or not I" won the Oscar: "Regardless of how things turned out, I have work coming out and I have work lined up."
"[The Blackfeet Nation] got a bunch of little cardboard cut-outs of gold-man statues that looked like an Oscar, to give to the kids. They asked if that was okay, or if it was gonna hurt my feelings. I said: ‘No, absolutely not.’ That’s just the whole thing of award campaigns and the competitive nature of pitting art against art. Clearly this film, in this moment, had meaning. It did its job. But yeah, nobody was upset that it didn’t happen."
Read more here: https://t.co/DTBJdXv1GE
Earlier this year my wife decided to watch Law and Order: SVU from the beginning. It began in 1999.
The show tries to stay topical with the news. Some observations.
Watching everything that’s happening as a Gen Z-Millennial cusp (born in ‘96), I see what’s happening to youth on college campuses as, on top of everything else, the logical end point of decades of neglect of and vitriol towards children and young adults. 🧵🪡
Reese Witherspoon questions if careers like hers and Jennifer Aniston are “possible ever again” in the film industry today with streaming.
“Are there opportunities for people to really emerge as a star? How do you know with no data transparency? How do we even know if something did well or didn’t do right? It’s tough as an actor — how do you negotiate? How does a producer? How do you market? If you don’t know where you sit in a landscape, how do you value something?”
(https://t.co/0H4XwhZFoX)