Still tickets left for the 4K restoration of LOVE MASSACRE (now with two showtimes) and our opening night feature LEVITATING: a mesmerizing musical odyssey from Indonesia
https://t.co/OTDsSUNQUJ
Come through for the first NY screening of a new restoration of LOVE MASSACRE, a rare Hong Kong gem by Patrick Tam! Now showing August 1st and August 7th at the Asian American International Film Festival! (the button works for both times)
https://t.co/qXdaNaYtxs
Excited to announce that as part of this year's 49th Asian American International Film Festival, we will be featuring the New York premiere of a new 4K restoration of Patrick Tam's LOVE MASSACRE (1981) at Asia Society! Tickets are on sale now.
https://t.co/qXdaNaYtxs
Barthes would likely agree that the memification of Salo is a natural outcome of the irreconcilable nature of Pasolini’s film as an artistic object that succeeds by doing everything wrong, and this form of ironic appreciation for it is not just inevitable but necessary.