I know this is bull because the bare, basic, and easy to follow beige pose of Farewell to Arms is considered 12th grade while the constantly changing prose, thematic and symbolic wording, and just wordy Moby Dick is considered 11th grade
I think people need to realize that there's a difference between a story being complex/difficult, a story being ambiguous, and a story being confusing. These things are different but they keep getting overlapped. Also note that a story being inherently confusing is bad writing.
and live through the experience of cause and effect. It is a distant view with very present emotions that rub on you despite the archaic far flung pov. And in addition to that, ideas are recalibrated with newer perspectives down the road. Multi pov and different styling
Shifting POVs is not narrative styling. It can account for a given narrative structure. But styling is a deliberate creative effort to facilitate unique forms of a narrative structure in which a story is told, thus giving it a unique experience than if it was told otherwise. 🧵
@thewritingdao That’s what narrative styling is. If a book jumps from multiple POVs and settings, that’s part of its narrative styling. One sentence in your post contradicts the one right before it.
Wars of Light and Shadow by Janny Wurts and Asoiaf by GRRM both use multi pov but Janny's styling is much more sophisticated than his and the experience is different. With asoiaf you get to feel and experience the characters. In wolas, the styling compels you to observe, 🧵
Imo there isn't a single book in both tweets that is remotely advanced or expert level. Silmarilion and Gardens of the Moon are the only one that comes close but not quite there. Everything else falls into beginner and intermediary
@salem_zarir yeah, the way I see it, narrative styling and prose styling bolster theme work and character work. I've lately been unable to separate unique character works from the author's preferred styling in narrative and prose
Fundamentally, yes it is. Because it is a novel. And the reading level of any novel is determined primarily by its prose and narrative structure. Multiple povs and lore dumps add little in complexity to direct engagement especially if one is used to reading fantasy already
Not true, because despite possessing a larger cast and a deeper lore, a song of ice and fire for instance isn't more difficult than a series like book of the new sun that has just one pov character. Also you can't understand the underlying theme without prose engagement
@thewritingdao I guess if you’re just trying to understand the sentences, but if you want to understand the context and underlying themes of the story a larger cast and deep lore absolutely make things more difficult.
books that demand much more both in narrative style and sentence on sentence reading. These advanced books still feature your “jumping from city to city”
That is not a problem for anyone that reads fantasy. The prime criteria for judging the difficulty of a novel is its language syntax and narrative styling. Not jumping from povs or multiple places. That's why those books are intermediary reads. They fall short of advanced 🧵
@thewritingdao@mudchar22 I see the problem. You don’t understand the criteria. Yes, you can look at two pages of a book and say, “See? Pretty easy to read.” Duh.
The point is that the book itself, in its habit of jumping from time to time, place to place, can be difficult to follow.
@nocful well for me it hardly did. I was definitely slower reading malazan compared to a lot of fantasy reads. But I was much slower reading wolas compared to malazan. my original post was on gotm tho, which is actually easy to parse through imo.
@nocful The dense and very layered prose often enforces a slower engagement with the narrative to really process what is going on. Add on the thematic ambiguity that repurposes itself at different points (like Lysaer in The Brotherhood's Hostel) and you obtain a more complex narrative
@nocful I disagree. Malazan possesses structural ambiguity and an alternating lead cast which might feed the mind with a sense of overload, but it still possesses a nigh accessible direct engagement to the narrative. Wolas on the other hand doesn't
@MalazofWesteros@Catface_OJK I posted it here around April as part of the new finds I've got though. Also y'all don't fw prose and language like I do so it didn't ring in my mind to tell y'all. Sorry