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The function of all art lies in providing a window to the infinite for the hungry soul. -Pope Pius XII

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@SonderPatriot A TRANS onlyfans harlot (with a dick) versus a groyper pedophile freak.

Personally, I'm rooting for the harlot.

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To be charitable, I occasionally see Groypers talk about going to church or praying.

I also, quite often, see "RKD4NJF" in their bio descriptions. That means, "Rape, Kill, Die for Nicholas J. Fuentes."

So, yes. There seems to be some mixture of Christian and Satanic behaviors going on there.

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@KawhiElite @itsmorganariel How embarrassing for you

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@natalie8955 @itsmorganariel Israelis are genocidal murders, rapists, and destroyers of churches.

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@fish_groyper @TuckerCarlson @DanBilzerian @CaseyPutsch @buckleycarlson @jakeshieldsajj @AmyDangerfield @RealBenMichael @DeepDiverDane @Aarvoll_ @ActualRetards Morgan Ariel in the list of Zionists? What a joke. You people are pathetic.

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@Zonalynn @itsmorganariel @EvanAKilgore In 1940, the America First Committee was formed to keep the nation out of World War 2. The spokesperson was Charles Lindbergh. This was 58 years before Nick Fuentes was born.

In 2016, Donald Trump used "America First" in a speech, and then Nick Fuentes adopted it for his show.

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@DanielLevy99051 @Nance726 @NickJFuentes McCarthy was a Catholic.

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@realcopeaganda @BronskiLeo1 @Kaiserfranz7490 @AwardsWatchErik Pope Sixtus V officially condemned abortion in 1588.

https://t.co/xMEXNvQTkg

Catholic writings against abortion go back to the very beginning of the church. There was NEVER a pope that permitted abortion.

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@realcopeaganda @BronskiLeo1 @Kaiserfranz7490 @AwardsWatchErik This is misleading. Catholics have ALWAYS been against abortion.

https://t.co/AKKMJfc0I2

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"James Monroe", Samuel Morse, c. 1819, Oil on Canvas, White House Blue Room, Washington, DC, USA

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Samuel Finley Breese Morse, American artist and inventor, was born at Charlestown, Massachusetts, on April 27, 1791, son of Jedidiah Morse (1761-1826), Congregational minister there and a writer on geography, and a grandson of Samuel Finley, president of the college of New Jersey. At the age of fourteen he entered Yale College, where he graduated in 1810 and where under the instruction of Jeremiah Day and Benjamin Silliman he received the first impulse towards electrical studies.

In 1811 Morse, whose tastes during his early years led him more strongly towards art than towards science, became the pupil of Washington Allston, and accompanied his master to England, where he remained four years. His success at this period as a painter was considerable. In 1825 he was one of the founders of the National Academy of Design, and was its first president, from 1826 until 1845. The year 1827 marks the revival of Morse’s interest in electricity. It was at that time that he learned from J.F. Dana of Columbia College the elementary facts of electromagnetism. As yet, however, he was devoted to his art, and in 1829 he again went to Europe to study the old masters.

The year of his return, 1832, may be said to close the period of his artistic and to open that of his scientific life. On board the packet-ship “Sully,” while discussing one day with his fellow passengers the properties of the electromagnet, he was led to remark: “If the presence of electricity can be made visible in any part of the circuit, I see no reason why intelligence may not be transmitted by electricity.” In a few days he had completed rough drafts of the necessary apparatus, which he displayed to his fellow passengers. During the twelve years that followed Morse was engaged in a painful struggle to perfect his invention and secure for it a proper presentation to the public. In poverty he pursued his new enterprise, making his own models, moulds and castings, denying himself the common necessaries of life.

It was not until 1836 that he completed any apparatus that would work, and finally, on September 2, 1837, the instrument was exhibited to a few friends in the building of the university of the City of New York, where a circuit of 1700 ft. of copper wire had been set up, with such satisfactory results as to awaken the practical interest of the Messrs Vail, iron and brass workers in New Jersey, who thenceforth became associated with Morse in his undertaking. Morse’s petition for a patent was soon followed by a petition to Congress for an appropriation to defray the expense of subjecting the telegraph to actual experiment over a length sufficient to establish its feasibility and demonstrate its value. The committee on commerce, to whom the petition was referred, reported favourably. Congress, however, adjourned without making the appropriation, and meanwhile Morse sailed for Europe to take out patents there. The trip was not a success. In England his application was refused, and, while he obtained a patent in France, it was subsequently appropriated by the French government without compensation to himself. His negotiations also with Russia proved futile, and after a year’s absence he returned to New York.

In 1843 Congress passed the long-delayed appropriation, steps were at once taken to construct a telegraph from Baltimore to Washington, and on May 24, 1844, it was used for the first time, with Morse’s first message, “What hath God wrought,” a phrase from the Bible’s Book of Numbers. In 1847 Morse was compelled to defend his invention in the courts, and successfully vindicated his claim to be called the original inventor of the electromagnetic recording telegraph. In 1858 the representatives of Austria, Belgium, France, the Netherlands, Piedmont, Russia, the Holy See, Sweden, Tuscany and Turkey appropriated the sum of 400,000 francs in recognition of the use of his instruments in those countries. He introduced into America Daguerre’s process of photography, patented a marble-cutting machine in 1823, and in 1842 made experiments with telegraphy by a submarine cable.

Samuel Morse died on April 2, 1872, at New York, where his statue in bronze now stands in the Central Park. He was buried in Green-Wood Cemetery, New York City, NY.

"Self-Portrait", Samuel Morse, c. 1812, Oil on Paperboard, National Portrait Gallery, Washington, DC, USA

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"Portrait of the Marquis de Lafayette", Samuel Morse, c. 1826, Oil on Canvas, New York City Hall, New York City, NY, USA

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"William Cullen Bryant", Samuel Morse, c. 1828-29, Oil on Canvas, National Academy of Design, New York City, NY, USA

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"The Goldfish Bowl (Mrs. Richard Cary Morse and Family)", Samuel Morse, c. 1835, Oil on Panel, Smithsonian American Art Museum, Washington, DC, USA

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"Susan Walker Morse (The Muse)", Samuel Morse, c. 1836-37, Oil on Canvas, Metropolitan Museum of Art, New York City, NY, USA

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"Gallery of the Louvre", Samuel Morse, c. 1831-33, Oil on Canvas, Terra Foundation for American Art, Chicago, IL, USA

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"Dying Hercules", Samuel Morse, c. 1812, Oil on Canvas, Yale University Art Gallery, New Haven, CT, USA

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"Portrait of Mrs. Morse and Two Children", Samuel Morse, c. 1824, Oil on Canvas, High Museum of Art, Atlanta, GA, USA

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"Chapel of the Virgin at Subiaco", Samuel Morse, c. 1830, Oil on Canvas, Worcester Art Museum, Worcester, MA, USA

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"The House of Representatives", Samuel Morse, c. 1822, Oil on Canvas, National Gallery of Art, Washington, DC, USA

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