Excited to share my article on Paul Cuffe - an internationally renowned sea captain who met with President James Madison to discuss the transatlantic emigration of African Americans to Sierra Leone
Slavery & Freedom in Black Thought in the Early Spanish Atlantic is coming soon!
I am grateful to so many people, especially:
-esteemed scholars in 🧵for their generous readings of the book
-my editor @ccancellaro@cambUP_History
& @elanatsui_art for this magnificent artwork /1
Global Black Thought, the official journal of @AAIHS, is now accepting submissions for a special issue on race and identity in colonial Latin America and the Caribbean. Submissions deadline is 7/1/24. Read more today at @BlkPerspectives: https://t.co/8fGkZUR61q.
Thrilled to have been admitted to a @rarebookschool course for this summer! Looking forward to advancing my skills in early modern studies :)
#historian#phdstudent
Today, my professor began class by passing around a list of affirmations & having us recite them 🥹 this semester is shaping up to be pretty amazing #yale#yaleuniversity
Black and brown employees often labor in art spaces as docents, safeguarding artworks while providing guidance and answering the questions of museum patrons. They are central to the functioning of museums, but their presences are overlooked and their contributions to our experience in museums are rendered invisible. Artist Deni Wohlgemuth-Ponty, however, made this black docent the subject of his painting "ArtGuard2000." He is flanked by seemingly canonical artworks filled with white figuration. Ponty suggests that this coy figure also deserves our contemplation and scholarly attention.
Another notable example of acknowledging the significance of docents is evident in the work of artist Fred Wilson, who has always been conscious of the labor performed by black and brown museum employees. He incorporated them into his groundbreaking 1992 exhibtion "Mining the Museum" at the former Maryland Historical Society and in "Guarded Views"—his contribution to the 1994 "Black Male" exhibtion at the @whitneymuseum.
Slate gravestone fragment, carved for siblings Lonnon (circa 1704-1726) and Hagar (circa 1708-1727), enslaved by Christopher Phillips (1693-1753) of North Kingtown, Rhode Island. The fragment is now owned by the South County History Center.
#VastEarlyAmerica#SlaveryArchive
Prof. Ana Lucia Araujo (@aaraujohistorian) will present her new @cambUP_History book The Gift: How Objects of Prestige Shaped the Atlantic Slave Trade and Colonialismbe at @YaleMacMillan @YaleGLC in conversation with @Yale Prof. Cécile Fromont on Jan 29 https://t.co/5lRauzWvl1
IRADAC/Schomburg Digitization Fellowship: really great opportunity open to Ph.D. students with primary research interests in any aspect of the African Diaspora
thought I’d help circulate!
https://t.co/C9fP0vikvs
Ecstatic to see in person the new permanent exhibition Our Colonial Inheritance @WM_Amsterdam where I am a research fellow this year. Don’t miss it! #slaveryarchive
After attending both *fantastic* days of the symposium, I felt particularly re-inspired and more acutely aware of the weight/gravity of the work we do and our responsibilities as interdisciplinary thinkers and actors
What is a Colonial Archive?
November 9-10: A participatory symposium centered on the challenges of working with materials entangled with colonialism's myriad histories
https://t.co/s5eyHkuzt6 @YaleWHC@YaleMacMillan