"Bleeding Past the Edges" is out today on @westernvinyl ! Get the gorgeous real, actual, grippable vinyl here:
https://t.co/OuRILkwR4m
And come see the magicks live Fri June 12 at @233butler
https://t.co/sFSvk4VieN
Another heartbreaker for violin dropping next week. Help set up some live shows I your burg if you and your more interesting friends want a special eve of musical alchemy.
New song, "Clear Light", out today ahead of the release of the full album, "In Each Moment" in October. @tignortronics lays down some wonderful violin textures on this one. https://t.co/j2finacYhO
PATTERNS OF GOODBYE, for the live processed 330 HZ tuning fork, violin, percussion, and triggered synths is out today!
https://t.co/TtStZmOV6M
Catch me LIVE at @233butler Fri June 12th w/ @juliakent opening: https://t.co/6wraZ6a66w
Pre-order the LP here:
https://t.co/OuRILkwR4m
Psyched to share my latest solo LP, "Bleeding Past the Edges", available May 29 from @westernvinyl. My live approach processes violin, percussion, and tuning forks in real time, w/o overdubs, loops or tracks. Preorder the vinyl: https://t.co/xAIAjxaLr0 Live June 12 at @233butler
What kind of people actually think they're having a "real" authentically human conversation on here? If I thought anything I ever posted would get more than 0-1 replies I'm pretty sure I would just...stop. Old news but for things that matter, this isn't actually "engagement".
Composition is the art of not losing the plot. The irony is that when working on stuff you often have to force yourself to lose a broken plot to fix it with the better one. Fully commit, then maybe surgically remove. Repeat.
"Karma Chameleon" is such a great example of pop's frequent contradictions. Boy George was so genre-pushing in style and sexuality while their signature jam is such harmonica-riffin, milk toast elevator soft rock. So many examples of this. No shade, just sayin.
‘Echo in the Field’ @kellymoran
New video out now. Taken from the forthcoming album, ‘Don’t Trust Mirrors’ arriving 1 October.
→ https://t.co/CzIWUu5N6t
@_Helios I can see this. In popular music, the middle 6 or bridge is often the most notable but because it acts as a singularity between the see-sawing of the verse/chorus (or strophic) dynamics on either side. It's there to refresh them of course (to your point).
Composers probably work on the endings of their pieces the most? If you don't like the end of your song the whole thing quite certainly sounds like a waste of time.
The most punk rock, anti-establishment, downright ballsy musical act in current America must certainly be the subway mariachi band dudes. Imagine having the guts.