Your FILMIK profile gets you seen. Now take it anywhere.
One link — your bio, stats, reel, and kit. Send it to a coordinator, drop it in a DM, or put it in an email. No login required.
Full control. No middleman. → https://t.co/0BB7cUXraK
Your FILMIK profile already gets you seen inside the platform. Now you can take it anywhere.
You choose exactly what’s visible — bio, stats, reel, photos, kit.
One link. Full control. No middleman.
Available on FILMIK Pro → https://t.co/0BB7cUXraK
Your FILMIK profile now has a public link.
Your profile already works inside the platform — stunt coordinators see it when they're building their teams. Now you can share it outside too.
Send it directly to any coordinator or production. They don't need an account to view it. You choose exactly what's visible — bio, stats, reel, photos, kit.
One link. Full control. No middleman.
Available on FILMIK Pro → https://t.co/4uJHiV4kKG
Your FILMIK profile now has a public link.
Your profile already works inside the platform — stunt coordinators see it when they're building their teams. Now you can share it outside too.
Send it directly to any coordinator or production. They don't need an account to view it. You choose exactly what's visible — bio, stats, reel, photos, kit.
One link. Full control. No middleman.
Available on FILMIK Pro → https://t.co/4uJHiV4kKG
The first calls on a show aren’t random. Stunt coordinators build their lists between projects. Filmik is where those lists live. https://t.co/0BB7cUXraK
The magic's in the prep. Every choice you make before you get here shows up right here on the day.
The best part of this job? This.
Gangs of London S2 · @GangsofLondon
Director wants a shortlist. Your project and team info is in three apps, a spreadsheet, and your memory.
Filmik puts it in one.
Open to any stunt coordinator now. No invite needed.
https://t.co/0BB7cUXraK
The best coordinators I know spend less time managing paperwork and more time on the actual creative work — that's what we love to do.
Build the action, trust the team, show up prepared.
The tools I use changed how I operate on set. That's why I use Filmik.
https://t.co/vqoMqLHykR
Opus 4.6 is behaving extremely erratically lately
especially today
lots of very silly mistakes
my theory:
Anthropic was seeing unsustainable levels of usage for 4.5 because of Clawd
if they ban Clawd usage = bad; they position themselves as the bad guys + kill their main use case right now + kill all virality
> what_do_we_do.jpg
either route Opus to dumber models behind the scenes
or the Opus 4.6 release was actually just a new Sonnet but they branded it as an Opus upgrade so ppl are happy but it's in fact a regression
either way gives them enough server leeway to keep operating comfortably but the result is always the Opus model is retarded
Impact Initiative https://t.co/0HAmabEXAD via @YouTube
Congrats, Impact Initiative! This was SO fun to watch. Hymson Chan, your leadership as team captain really showed, and bringing out performers like Corey DeMyers, Cate Boyer and John Hennigan (WWE!) to perform at such a high level - your whole entire team brought it. It was just a bunch of pros having a great time and putting on a show, and that energy is infectious. And the nostalgia you guys captured? Man, I felt like I was transported back to the '80s. It was so fun and cool. The action, the way you shot it, the story you told from beginning to end, you guys really delivered something special. This is such a fun previz, and when you think about what you accomplished in just 6 hours of shooting? That's a LOT to pull off. Tremendous job. Well done and thank you for coming to play!