Shibo

Attorney / True Crime / Crypto / World News / Laughs / Move to Bogotá in April: Looking for Remote Work Any Pay / X Growth Though Quality Content & Connections

[Shibo @tipu368]

But I love all three, so I said, what else? 🤍

[Shibo @tipu368]

@JohnnyWang8802 What if vlogs were real

[Shibo @tipu368]

@ai_gezgini What technique do you use to get such a faithful face? Just a reference image or a grid with multiple photos?

[Shibo @tipu368]

@CharaspowerAI I see! so you are basically saying Omni is a video editing model rather than a creative generation one?

[Shibo @tipu368]

@hedo_ist In 2010 I couldn’t pursue CGI even though I was constantly drawing characters and concepts. Years later, in 2026, AI has finally made it possible for me to turn those old sketches into reality. This feels like a dream come true. What an amazing time to be a creator.

[Shibo @tipu368]

@lexx_aura The video and ideas are very impressive!

[Ciri @Ciri_ai]

One prompt used to give random results.

Now Higgsfield Supercomputer running on Gemini delivers:

→ Detailed & coherent text
→ High-quality cinematic motion graphics
→ Frame-level editing control
→ Deep global knowledge search

This is becoming the new standard for AI-generated ads 🎬

[Shibo @tipu368]

Cinematic desert racing film. Ultra-realistic premium motorsport documentary mixed with high-end sports advertising energy. Golden hour cinematography, warm desert tones, realistic dust atmosphere, cinematic lens compression, natural body movement, authentic motorcycle physics, premium film color grading.

Subject: A real 26-year-old extremely beautiful athletic female motorcycle racer with striking natural facial features, sharp confident eyes, long dark hair with realistic movement, slim toned athletic build, naturally sun-kissed tanned skin, wearing custom-fitted red-black racing leathers with authentic scuff marks and dust wear, riding a raw vintage desert motorcycle built for endurance racing.

SHOT 1 — Extremely low ground-level cinematic tracking shot as she races at full speed across a cracked desert floor toward a sharp turn. The motorcycle violently drifts sideways through loose dirt and gravel, rear tire throwing massive dust outward. She nearly loses control for a split second before aggressively recovering balance and instantly pushing the throttle harder. Hair escapes slightly from inside the helmet during the recovery while the camera shakes naturally from speed and terrain impact.

SHOT 2 — Fast whip-pan transition into an impossibly long open desert straightaway. The motorcycle accelerates even harder while a massive continuous dust explosion trails behind her across the entire frame. The chase camera struggles to keep pace with her overwhelming speed as heat distortion ripples across the horizon and golden sunlight reflects off airborne dust particles and worn racing leathers.

SHOT 3 — Wide moving tracking shot across the entire desert course as she performs multiple rapid direction changes and aggressive riding techniques back-to-back with almost no setup time between movements. The terrain constantly changes from cracked earth to loose sand to rocky gravel while the cameraman on the chase vehicle nearly loses balance trying to follow her unpredictable movement. Natural handheld instability adds realism and intensity.

SHOT 4 — Compressed long-lens cinematic shot capturing a massive airborne jump across open desert terrain. The motorcycle floats through the air while suspension fully extends and her body makes extreme mid-air balance corrections to keep the bike aligned. The landing becomes dangerously unstable on impact and for a terrifying second she nearly crashes before miraculously regaining control at the final moment and continuing forward at full speed.

SHOT 5 — Ultra-low circular tracking shot around an extended balance line through deep loose gravel. The motorcycle constantly slips and corrects at high speed while tiny steering adjustments and subtle body shifts keep the bike barely under control. The entire sequence feels seconds away from disaster, yet without slowing down she calmly pushes her visor upward mid-motion. Dust covers the helmet and racing suit while her expression remains completely focused and emotionless.

SHOT 6 — Final cinematic sequence as she launches off the last desert rise at maximum speed and violently skids to a stop at the canyon edge. Massive dust and momentum trails explode outward across the ground while gravel continues sliding forward beneath the motorcycle. She slowly removes her helmet as strong desert wind hits her face and moves her hair naturally. She locks into a perfectly still final pose beneath harsh golden desert sunlight. The engine sound cuts instantly into total silence. The camera slowly pushes closer toward her completely calm and emotionless face before freezing on the final frame and fading to black.

[Shibo @tipu368]

ELENA VOSS (Desert Rider)

Gpt image 2 + Seedance 2.0 on @Hailuo_AI

Prompt 👇🏻

[Shibo @tipu368]

New AI Music Video 🔥

"Blackout Mercy" - AFRAID2SL33P

Made in @runwayml

Cannes Online Premiere

https://t.co/WT3S8UfNhU @VAYLAOfficial_

[MagVerse @MagVerse_AI]

Most brand deals on X are paying for bots.

The merchant has no idea.
The platform doesn't care.
The creator who gamed it gets paid anyway.

We built Magverse to fix this. 🧵

[Shibo @tipu368]

K-pop aesthetic meets futuristic warrior vibes! 🖤✨

I’ve been experimenting with a cinematic K-pop look lately, and the results are blowing my mind. I started by generating the base characters in @grok Imagine and @midjourney then blended them using Nano Banana Pro into a single still image to achieve the perfect mix of idol styling and tactical armor.. From there, I used @dreamina_ai Seedance 2.0 to animate the choreography, upscaled with @topazlabs for that 4K finish, and tied the whole mood together with some custom color grading in @AdobeVideo Premiere.

In this clip, you see a fierce group of dancers performing in a dark, post-apocalyptic landscape. The sharp movements and high-tech outfits create such a powerful, otherworldly atmosphere. This kind of style is perfect for a futuristic music video concept, a sci-fi movie teaser, or a high-end social media ad.

@VAYLAOfficial_ #Vayla https://t.co/VmAlKum0h2

[Umesh @umesh_ai]

Continuous shots are breathtaking!

Prompt : Hyper realistic cinematic 15 second action sequence in a vast desert, filmed in one unbroken continuous shot. A lone motorbike rider tears across endless sand dunes, dry ridges, rocky outcrops, and dust filled terrain under bright cinematic daylight. The camera must move on an imaginative, fluid path throughout, constantly tracking both the rider and the full scale of the environment at the same time. It begins high above in a sweeping aerial view, then dives smoothly toward the rider into a close chase, skimming low beside the wheels as sand sprays outward. The camera then pulls far back into a wide circling drone like view, climbs overhead, arcs around the rider, swings in front facing backward, then glides off to the side before returning close again, always flowing continuously. The view keeps changing while staying seamless, capturing speed, motion, and scale together. Dust trails, shifting sand, heat haze, and flying debris make the sequence feel epic, dynamic, and breathtaking from start to finish.

Generated and upscaled on Runway.

[Shibo @tipu368]

total visual immersion achieved

[Umesh @umesh_ai]

Continuous shots are breathtaking!

Prompt : Hyper realistic cinematic 15 second action sequence in a vast desert, filmed in one unbroken continuous shot. A lone motorbike rider tears across endless sand dunes, dry ridges, rocky outcrops, and dust filled terrain under bright cinematic daylight. The camera must move on an imaginative, fluid path throughout, constantly tracking both the rider and the full scale of the environment at the same time. It begins high above in a sweeping aerial view, then dives smoothly toward the rider into a close chase, skimming low beside the wheels as sand sprays outward. The camera then pulls far back into a wide circling drone like view, climbs overhead, arcs around the rider, swings in front facing backward, then glides off to the side before returning close again, always flowing continuously. The view keeps changing while staying seamless, capturing speed, motion, and scale together. Dust trails, shifting sand, heat haze, and flying debris make the sequence feel epic, dynamic, and breathtaking from start to finish.

Generated and upscaled on Runway.

[Marcio Lima 利真 マルシオ 💎 @Preda2005]

I asked @grok to create a few characters…
and it went completely insane! 🤯🔥

Prompt drop ⤵️

[Rahul Nanda @rahulnanda86]

Anaconda attack videos are my favourite!!

Made on @mitte_ai using Seedance 2

A hyper-real action-horror sequence set on a wooden houseboat in the Amazon during humid daylight. Murky river, dense jungle on both sides, creaking wood, loose ropes. Sound: insects, water lapping, sudden heavy movement.

⸻
Shot 1 (0–2s):
On the deck, a man (early 30s, rugged, holding a rifle) stands beside a woman (shorts, bikini top). The water ripples unnaturally. He raises his gun, tense:
“Stay back… there’s something in the water.”

⸻
Shot 2 (2–5s):
The river explodes upward—a massive anaconda launches out. The man fires instinctively but is knocked backward, dropping hard. The woman screams and runs inside the houseboat.

⸻
Shot 3 (5–9s):
The snake crashes onto the deck and forces its way inside, smashing through the doorway. Interior—tight wooden corridors. The woman sprints, slipping slightly, knocking into furniture.

⸻
Shot 4 (9–12s):
She turns a corner—dead end against a wooden wall. She backs up, trapped.
The anaconda slides closer, filling the frame, body coiling, head rising.

⸻
Shot 5 (12–15s):
Its jaws open wide, inches from her—
Gunshots from behind.

The snake jerks, collapses sideways.

The man stands in the doorway, gun raised, breathing hard.

She drops to the floor, shaken.

[Darshal Jaitwar @darshal_]

Claude + YouTube = Money Machine 💸

No skills. No camera. No excuses.

12 prompts that do all the work 👇

[Zara @ZaraIrahh]

Created with Seedance 2.0 on @HitPawofficial

Prompt:
A cinematic, fast-paced action sequence starting with a close-up of a fierce female warrior with dark hair and silver metallic facial markings, aiming a glowing blue energy bow and arrow. Transition to an extreme close-up of her brown eye as a futuristic orange digital targeting reticle activates over her pupil. The camera cuts to an over-the-shoulder wide shot showing her standing on a high rocky cliff, overlooking a sunlit desert canyon where an army of dark, monstrous creatures is marching. She releases the glowing blue arrow, which splits into multiple brilliant energy beams mid-air. The camera swiftly tracks the main blue beam as it speeds down the canyon towards the monsters, culminating in a massive, explosive impact of thick dust and debris among the creatures.
#HitPaw

[Dheepan Ratnam @Dheepanratnam]

15-second Street-Jazz Dance Choreography that actually looks pro 🔥

ChatGPT 2.0 + Seedance 2.0 combo

One reference board → two fire videos:

1. Strict step-by-step choreography
2. Cinematic dynamic version

Full reference + both prompts dropping now 👇

[Aegon @Fujimoto_hina]

Create with GPT 2 on ChatGPT

Prompt:

{
"type": "cinematic_character_design_sheet",
"intent": "film_production_pitch_board",
"core_directive": {
"layout_rules": [
"no generic layouts",
"no evenly spaced grids",
"no forced symmetry",
"intentional asymmetry",
"art-directed composition"
]
},
"character_identity": {
"name": "[Full character name]",
"alias": "[Nickname / codename]",
"age": "[Real or stylized age]",
"height": "[Exact height cm/ft]",
"build": "[Detailed body proportions, weight distribution, posture]"
},
"ethnicity_design_language": "[Hybrid style: Pixar / anime / cultural realism]",
"face_design": {
"structure": "[Face shape, bone structure, asymmetry]",
"skin": "[Texture, tone, imperfections]",
"eyes": "[Size, spacing, color, quirks]",
"hair": "[Style, physics, imperfections]",
"distinct_features": "[Scars, dimples, unique traits]"
},
"psychological_profile": {
"core_traits": ["trait1", "trait2", "trait3"],
"internal_conflict": "[Desire vs sabotage]",
"behavior_patterns": [
"[Habit 1]",
"[Habit 2]",
"[Habit 3]"
],
"emotional_baseline": "[Default state + shift speed]"
},
"performance_direction": {
"expression_notes": [
"micro-expressions",
"no staged symmetry",
"transitional emotion"
],
"body_language": {
"posture": "[Tendencies]",
"movement": "[Rhythm]",
"idle_behavior": "[Fidget/stillness]"
}
},
"wardrobe": {
"primary_outfit": [
"[Garment 1: fabric + wear]",
"[Garment 2: fit + stitching]",
"[Layering logic]"
],
"footwear": "[Material + wear]",
"accessories": "[Functional + character items]",
"props": "[Recurring objects]"
},
"materials_textures": {
"fabric": "visible stretch, wrinkles, stitching",
"surface": "no plastic look unless intentional",
"skin": "soft light bounce",
"imperfections": "dirt, aging, smudges"
},
"turnaround": [
"front_view",
"3_4_view",
"side_view",
"back_view",
"3_4_back_view"
],
"head_study": {
"views": [
"front_neutral",
"3_4_primary_expression",
"profile",
"looking_down_[emotion]",
"looking_up_[emotion]",
"dynamic_angle_[intense_emotion]"
]
},
"cinematic_portrait": {
"environment": "[Story-driven location]",
"lighting": "[Practical + ambient]",
"color_tone": "[Warm/cool palette]",
"expression": "[Narrative moment]",
"camera": "[Lens + shallow DOF]"
},
"camera_lighting": {
"full_body": {
"lens": "35mm",
"lighting": "soft key + bounce",
"exposure": "natural"
},
"portrait": {
"lens": "85mm",
"depth_of_field": "shallow",
"focus": "eyes"
}
},
"composition_layout": {
"background": "neutral gray",
"elements": [
"height scale",
"annotation callouts",
"wardrobe breakdown",
"production notes"
],
"style": "premium studio board"
},
"style": {
"type": "[e.g. Pixar-style realism]",
"features": [
"appealing exaggeration",
"soft geometry",
"cinematic lighting",
"high emotional readability"
]
},
"consistency_rule": "no variation across views",
"output_quality": [
"high detail",
"sharp focus",
"production-ready",
"pitch-deck quality"
]
}

[Abel Art @A_B_E_L_A_R_T]

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