@Ta_TK10 Yes he https://t.co/3sNAmREz4I thing I like about him and De Mthuda.They always https://t.co/TjyalxVkv2 first their projects may not be understood but as time goes on they mature and becomes a timeless piece of art.
@MzoliThaHomie1 This comparison is unfair..Reason being is that Mellow and Sleazy dont drop as many mixtapes as Shakes and Les.If you go on Youtube theres a handful of Mixtapes dropped by Mellow and Sleazy.But if they were consistent Mellow and Sleazy are clear.Production wise and catalogue wise
@tswelomosenyi Kabza always drops when the noise settles down.And each time he drops he drops classics that will be played in the next few years. Akulaleki and umshove still sound as good as new. This is what we call timeless piano😔
@tswelomosenyi Dj Jaivane ,Soul Natives , Major League and Stanky Deejay are personally consistent when it comes to mixes.The rest will drop 2 to 3 mixes (less than 5) and then disappear for months and months. Just to name a few examples Black is brown mixes and Cowboii Grooves
Someone on TikTok posted, “For the longest time we suspected my dad had a second family. When he died we discovered we were the second family” Impilo namadoda is not the one 💀
@G1Dl3_@chimpanzeeiOS We should get magazine,movie and ad requests similar to feature requests..You get paid and negotiate royalties percentage for your song to be used.On the energy..When theres a remainder (eg 1 energy left)..After pressing end week the remainder should be topped up..
@G1Dl3_@chimpanzeeiOS I feel like when you open a label.Your artist should tour.
Once they start touring a percentage of their tour revenue should come to you(Tour Royalties)
Ad royalties should be added as a new update.