TKY:IS CURATES / MUSIC 006 (IDM)
🎧“CAM_00Y_9402-04-18T0203Z_ATTEMPTED_TO_ACT_HAPPY_LOGGED_AS_MASKING” by Tenant 7 (2026)
TENANT_7 is a fictional surveillance system. Track titles are its logs. Someone tried to look happy. The camera saw through it.
https://t.co/DseCousHdQ
TKY:IS CURATES / MUSIC 005 (Fusion)
🎧 “Roodis Tones” by Michael Landau (1990, Los Angeles, US)
No idea what lies ahead. Moving forward alone through the vast, shadowy wilderness — lonely, yet somehow romantic. The harmonic progression itself seems to embody that feeling.
https://t.co/oWNMXxJBqp
TKY:IS CURATES / MUSIC 003 (IDM)
🎧 “Coil” by VPN (2026, Florida, US)
“Sonido local.” Less glare, more humidity — what I heard was a Florida rich in mystery and mood.
https://t.co/pQ4JWZ8hL7
TKY:IS CURATES / MUSIC 002 (IDM)
🎧 “Cascade (Edit)” by Kelbin (2026, Venice, IT)
A young electronic musician out of Venice. Fresh, bright, full of joy. You can tell he’s properly into making music.
https://t.co/IwUe0RZ0Ao
TKY:IS CURATES / DESIGN 003 (Advertising)
▱ “Spinning Vegetables / Asparagus” — Kewpie Corporation (TV Commercial, 1985, JP)
Kewpie is a well-known Japanese food company. Their TV commercials from this era were genuinely radical. Music by Joji Yuasa.
https://t.co/DgPIMFjzIx
TKY:IS CURATES / MUSIC 001 (IDM)
🎧 “ATTENTION TOKYO” by Sketch Show (2003, JP)
2003. When so much glitch had become an end in itself — little more than noise — this was already something more: musically rich, stripped back, nothing spare.
https://t.co/7AiygPz0l5
TKY:IS CURATES / DESIGN 002 (Web)
▱ "EXAT" (Website) — Web Design by Studio Size (Zagreb, HR)
A typeface becomes an interface. Modernist geometry, set in motion.
#WebDesign#Typography
https://t.co/X9v5jHWjyz
TKY:IS CURATES / DESIGN 001
▱ Suono — By Tom Fereday (Industrial Designer, AU)
A Bluetooth speaker in cast aluminium. Almost no visual noise. Quiet before it even makes a sound.
Found via LEIBAL, a minimal design publication based in NYC.
https://t.co/cvVcRY9qKm
🎧 “ergem” by generated.generation (2026)
A producer with roots in Moscow’s electronic scene under the sin:it:sin alias. Shifting textures let the glitches unfold into ever-changing patterns.
https://t.co/qBJU2obguE
#IDM
Hirokazu Hiraishi (1948–, JP) — I. 〈WAVE〉 from 《Time Turning》 (1987-1993)
Short loops, constantly shifting. All in sine waves. Decades ago, I first heard this sleek sound on FM radio in a shabby Tokyo apartment.
https://t.co/88FoUwm2A0
#IDM — why not?
Tokyo is still being made.
Landfill. Tokyo, not quite Tokyo yet. Maybe one day, someone will call this place home.
— Central Breakwater Outer Landfill Site, Tokyo.
#中央防波堤外側埋立地