tokenfox

[tokenfox @tokenfox1]

I've been long enough in NFT space to know technicalities aren't primarily what people like that much to read about. But given the demand and my audience here is it:

Deep dive to tech and history behind Talismans

[tokenfox @tokenfox1]

@VanArman

[tokenfox @tokenfox1]

@0xInuarashi learn to prompt

[tokenfox @tokenfox1]

@noxflux @ravikiran_dev7 no

average is 50%

[tokenfox @tokenfox1]

@BaseChain @strangersolemn Such an underappreciated collection!

[E L L A @bright_lightart]

@justintrimble New project by Stephen Santoro here. Also look at some of what @1xharsh is doing.

You'll find more via onchainchecker or speaking to @tokenfox1 or @greyblok - they will know!

[Fully On Chain @fullyonchainart]

Autoglyphs were deployed in 2019. Call the contract today and the art comes right back. No server, no gateway, no one to ask permission.

That’s the whole pitch.

[tokenfox @tokenfox1]

@marla_rides @MarioNawfal I simply expressed that this video was educational

[tokenfox @tokenfox1]

@marla_rides @MarioNawfal I think this was in incredibly insightful and valuable share

Also: would you rather learn from the history than hide it?

[tokenfox @tokenfox1]

@amadon @Rhynotic what kind of digital art are you referring to that cannot be stored on-chain? I would argue the number is close to 0

[tokenfox @tokenfox1]

@amadon @Rhynotic it doesnt have to be like that. you can have best of both worlds for instance with the token owner controlled upgrades in the style of Terraforms

I agree immutability should be intentional. But the risk you are pointing out (contract owner rugging art) is practically almost 0

[tokenfox @tokenfox1]

@chazz_gold thanks!

may I ask whats the amazing idea? Would love to know to do it again if there is something amazing that can be redone!

[tokenfox @tokenfox1]

@amadon @Rhynotic whats the long-term issue? what do you mean with ”machinery online”?

[tokenfox @tokenfox1]

@amadon @Rhynotic not sure I understand the issue

how do you define durability? whats the issue in constructing durable artworks on eth?

[tokenfox @tokenfox1]

@amadon @Rhynotic Easiest way to replace that reliance is to just store your art on-chain. Solves most of the permanence issues

[tokenfox @tokenfox1]

@Rhynotic @amadon XCOPY specifically has the most genius way of making sure none of the works will disappear: CC0

So many copies of them around through it

[Mirage88 @Mirage88]

@justintrimble Offer for No. 1,032: Talismans #858
https://t.co/4osXa8OSio

fully onchain project from a leader in onchain curation and history (@tokenfox1)

[tokenfox @tokenfox1]

@JrCasas_ 10/

I thank JrCasas and Michael for a good discussion on the Tylipas as a collection and as a artwork. I do believe its a cool rediscovery from the history of on-chain art

🌻

PS. Not financial advice, Do your own research. Be cautious.

[tokenfox @tokenfox1]

Thanks to the discovery by JrCasas, we were able to get in contact with the artist of Tylipa: due to the rediscovery and rekindling work by the artist, Tylipas are now again mintable through their official website at:

https://t.co/ymDApw74ig

🧵

[0xchainart @0xchainart]

ŦɏŁᵻⱣⱥ (Tylipa) by Michael Aschauer is now listed.

This rare 2019 contract stores the wallet that grew each flower and the time it was grown. Its built-in renderer uses those values to return the finished flower as SVG markup.

https://t.co/MXvHFn9JuW

[tokenfox @tokenfox1]

@JrCasas_ 9/

Importantantly note that the smart contract for Tylipas has no supply cap. It is very much possible that Tylipas flowers will have an unlimited supply for the years to come. But as the artist has minted: it could be almost possible that at some point the supply may deplete.