Return to where it all started in #TheMatrixResurrections. Shot by cinematographer John Toll ASC with #Panaspeeds. Serviced by #Panavision Woodland Hills.
Watch the trailer: https://t.co/lVsn9bv5Tf
WATCH: John Toll, ASC and Stephen Pizzello interview Igor Bobic, who captured the now-famous footage of Capitol police officer Eugene Goodman holding an angry mob of rioters at bay after they invaded the building on Jan. 6, 2020: https://t.co/bVz0heyGj4
Thanks to @JoeFrady
A MUST-WATCH: "The Man Who Shot Chinatown: The Life and Work of John A. Alonzo" (77 minutes) : https://t.co/7XB6mAhDPY
with Alonzo, John Toll, William Friedkin, Haskell Wexler, James Wong Howe, Sally Field, Richard Dreyfuss, Michael Crichton, and many others.
Other than the director, they are the only people on a film directly involved with the visual content throughout the entire production process. They essentially are the eyes of the film." 2/2
— John Toll, ASC
#JohnToll#TheASC
"In my mind, once a cinematographer starts working on a film and begins a collaboration with a director, they should never actually stop being a part of that film, ever. This is because cinematographers provide a unique function. 1/2
#JohnToll
"I think that the best films have been made through great director/cinematographer collaborations and a good collaboration will usually elevate the work of both the director and the cinematographer."
— John Toll, ASC
#JohnToll#TheASC
"There are so many pictures being made today that are dependent on the dialogue ; sometimes you find yourself essentially photographing words, and that's OK. But this was a great opportunity to work with a director who was interested in visual storytelling."
— John Toll, ASC,
Even when the light is 'bad' it is possible to do good work by making wise choices." 2/2
— John Toll, ASC, @AmericanCine February 1999.
#JohnToll#theASC
"Doing good work in day exterior situations means that you must be able to make great images all day long, even when the light isn't ideal for pretty pictures. You must make choices that will allow you to take advantage of natural light in existing conditions. 1/2
#JohnToll
“He tested Panavision lenses ... selecting a set of Panavision Sphero 65 lenses 24–180, which lend the digital image a softer, classical look.” Read how @HarrietFilm cinematographer John Toll, ASC used #Sphero65 glass: https://t.co/9LhHuvK0sh
#ICGMagazine's November web exclusive highlights the work of ICG Local 600 Director of Photography John Toll, ASC, director Kasi Lemmons and the crew of @HarrietFilm. Check it out! #HarrietTheMovie#ICGLocal600
https://t.co/VIuwlL5mLb
"I like to be involved in helping to design an overall visual style, as well as shots for individual scenes, as early as possible after agreeing to do a film."
-John Toll, ASC
#JohnToll#theASC
"Working with a director with strong ideas can be a liberating experience for a cinematographer, provided they have something in common to begin with. 1/2
#JohnToll#theASC