“Carrie” has been renewed for Season 2 at Amazon Prime Video and will take the story beyond where the Stephen King novel ends.
“For 50 years, audiences have known and gravitated to Carrie White’s story. From the beginning, we imagined a story that goes far beyond the prom, and I’m incredibly grateful for Stephen’s trust and support in exploring what comes next,” said showrunner Mike Flanagan, who has previously said he planned a three-season arc for the show.
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Evening viewing recommendation? On the Criterion Channel, watch Lindsey C. Vickers's THE APPOINTMENT (1981) in our Highway Horror collection! https://t.co/o7nxkRyAsi
Never released in cinemas and nearly lost to time, this long-sought-after holy grail of surrealist horror is an unsettling journey into the world of the supernatural, dripping with dreamlike dread.
People who like CS Lewis more than me are unsophisticated, simple naïfs. People who like him less than me are tryhard pseuds. Only I like CS Lewis the correct amount.
I’m not sure if it’s a bit but the actor who played Josh complaining that he didn’t get invited to the reunion and then that they wouldn’t comp his ticket is a great 30 Rock bit.
https://t.co/PJskmXRYgn
Man I just really love when the whole timeline gets together and goes “30 rock was so fucking good” it happens like every 3-4 months and it’s always my favorite
Would certainly be bummed if Part III doesn’t happen but if The Bone Temple is the finale and the last we ever see is “Dad, do we help them?” “Of course we do,” I think that’s a wonderful final statement.
We now have a post-canon culture, which means the public have no interest in reading or watching that which is great, but every interest in insisting that the current commercial IP is just as good as all the classics they scorn. Baby stamping on a human face, forever
"The apotheosis of insanity.”
For the 20th anniversary of 30 Rock, I went deep on my favorite thing about it: all the fake shows, movies, and songs. With help from Tina Fey.
https://t.co/IrMhKcC6jO
@nerdyMarius Beautifully emphasized by the fact that the most moving scene in the whole thing is a deleted scene from the play presented out of context and not even in character