Después de 15 años y más de 2700 videoclips catalogados, Top Of The Clips cierra sus páginas. No tengo nada más que palabras de agradecimiento a todos aquellos que de alguna u otra manera habéis formado parte de la revista. https://t.co/zXjIEUCTwD
Record labels never want to spend money on music videos because they cut down on immediate profits, but it's short term thinking. In the long run, an iconic music video provides cultural framework for an artist's longevity. Capturing them in their prime gives future audiences a way to experience the song through the performer at their best. Yes you can hear the songs whenever you want, but watching Michael zombie dance to Thriller or Britney naked with diamonds to Toxic are experiences that make those songs come alive decades after they dominated airplay. The artist has time traveled to future generations (this is why quality matters). There aren't many record companies that are patient for that kind of pay off, because there aren't many record execs who have that long of a shelf life anymore. Everyone has to answer to the next quarter but the artist and their music has to answer to forever.
"Like a Prayer" was written by Madonna and Patrick Leonard. The video, directed by Mary Lambert, generated one of the biggest controversies of her career. Pepsi had paid $5 million to use the song in a commercial and sponsor the tour, but canceled everything after the scandal (the commercial only happened once). Madonna refused to change any scene, took the money and the Vatican condemned the video.
IN-EDIT y Sala Apolo se alían para lanzar un premio dentro del festival con los videoclips como protagonistas y un ciclo de cine al aire libre que convertirá una de las salas más icónicas en el planazo del verano. ¡No te lo pierdas!👇
https://t.co/dKjwEYP3Xb
El clip colaborativo del rapero sueco Yung Lean y GENER8ION supera los límites de un simple videoclip musical y ya es un festín visual extraordinario. 🔥
La coreografía, a cargo del gran coreógrafo francés Damien Jalet. 💥
Hoy, 29 de abril, Día internacional de la danza.
Fa 25 anys que Cory Doctow lluita contra el càrtel de tecnològiques i polítics neoliberals que, com ell diu, han merdificat Internet.
Un dels tipus més brillants, irònics i rigorosos que es poden entrevistar avui, a @nuvol_com
https://t.co/2IokSRMyS9
Las ventas de discos de vinilo en EE.UU. superaron los US$ 1.000 millones en 2025 por primera vez desde 1983. Marca no sólo un retorno al vinilo sino también a ser "dueño" de la música comprada. Todo vuelve.
https://t.co/sWbnC99nMv
SUBMIT YOUR MUSIC VIDEO NOW!
It’s almost time! – 8 short days before the REGULAR DEADLINE is here!
Our next edition will be nothing short of spectacular, so don’t miss out. Submit your creations in a few easy clicks!
Submit here: https://t.co/oT8dYB4pTJ
CANADA Director Ryan Doubiago directs 'The Inevitable' for North Carolina's legend J. Cole. Produced by Obvious with CANADA. Available at https://t.co/kedtbLFa7n
@JColeNC
Multi-hyphenate director and movement artist C Prinz unpacks the physical, instinctive and often brutal creative process behind Charli XCX’s new 'Wuthering Heights' era https://t.co/voIqvjG8vn
Todavía recuerdo noches salvajes en las discotecas de Berlín (y su tolerancia: me asombra que nunca nos echaran). Ahora, la emisora federal DW informa que los clubs están cerrando o agonizando. Razones: gentrificación, precios, nuevos hábitos juveniles... https://t.co/LhSOSEY9hL
Em 10 de janeiro de 1985, Madonna começou a filmar o videoclipe de Material Girl em Los Angeles, Califórnia. O vídeo foi dirigido por Mary Lambert. Madonna conheceu Sean Penn no set.
QEPD David Lynch (1946-2025). Usó lo onírico y el inconsciente en sus películas, como Buñuel, pero lo hizo en sus términos. Su filmografía fue singular, sorprendente. Y esta misma manera de contar historias lo condujo a revolucionar la TV, con la serie "Twin Peaks".
Dear humanoids,
Submissions are now open! You can send us your audiovisual shit and be part of the Caostica International Short and Music Video Festival’s 23rd edition, which will be held in Neo-Bilbao from June 2 to 8, 2025.
The works received will be will be duly reviewed by the selection committee, made up of members of the eye pain brigades.
Do not procrastinate as usual and take a look at our rules: https://t.co/l6GBTtPYct
@festhome, @FilmFreeway or Movibeta.
Deadline April 7th!
5.000 euros in prizes!
LONG LIVE THE UNCUT CELLULOID!
#Caostica23 #CaosticaIsComing