victoria

[victoria @toriaschell]

@ilobers They're in Buenos Aires???

[victoria @toriaschell]

@ilobers Yes! just proves how sick the modern society is

[Aakash Gupta @aakashgupta]

The 22-year-old in this scene made $347,000 for the entire film. DiCaprio made multiples of that.

Her audition was supposed to end with a kiss. She slapped DiCaprio across the face instead. The room went silent. She thought she'd be arrested. Scorsese called it a "thunderclap" and offered her the role on the spot.

She almost quit acting after this movie. The fame disoriented her so badly that she told interviewers she reconsidered the entire profession. Her mother talked her out of leaving.

Instead of leaving, she started a production company. LuckyChap Entertainment launched in 2014, one year after Wolf of Wall Street. She co-produced I, Tonya, which earned her first Oscar nomination. Then Promising Young Woman. Then Saltburn.

Then she walked into Warner Bros., told them Barbie would make a billion dollars, and they laughed. She hired Greta Gerwig, took the lead role, held backend producer points, and the film made $1.44 billion. Her personal take was $50 million. Highest-paid actress in Hollywood that year.

Three Oscar nominations. A production company with more critical hits than most studios. A net worth that went from a $347K Scorsese paycheck to $75 million in 12 years.

The girl in this scene figured out something most actors never do: showing up on screen is a depreciating asset. Owning the thing that puts you on screen is the only durable position. She built the escape hatch before she needed one.

[Jonas Di Andrade @jonasdiandrade]

Pra quem não viu Mayara Lima, porque a Globo não mostrou direito na transmissão, apenas aprecie a maior.
#Carnaval2026

[Day @apropriaday]

nunca vou deixar de ficar impactada com os movimentos dela traduzindo o som da bateria e como ela sabe usar o look pra deixar o movimento bonito

[daria 🦢 @corleonedaria]

I will never stop praising this gorgeous masterpiece

[What're you giving me with the flying fish @RomanPBone1]

"I’ll never have a dance I loved more than Slaughter On Tenth Avenue." #botd Vera-Ellen.

With Gene Kelly from Words And Music (1948).

[Astronomiaum @astronomiaum]

Lindo demais, veja o dia que o Cristo Redentor se abaixou, abraçou e acolheu um cachorro caramelo em homenagem ao Dia Mundial dos Animais em Situação de Rua

[❦. @filmsbratz]

— vintage black films of old hollywood. a thread. 🎞️🎬🌹

[Dr Kate Strasdin @kateStrasdin]

A swish of old Hollywood glamour here with the exuberant costume that was designed by Travis Banton for Claudette Colbert in the 1934 film Cleopatra. Zesty satin in pleats and swags, Collection of Motion Picture Costume Design #fashionhistory

[Noirchick In Old Hollywood @Noirchick1]

If ever there was a look of the glamorous 1920s, it is mesmerizing German-American actress Phillipine "Betty" Amann in the German silent film "Asphalt" (1929).

[Noirchick In Old Hollywood @Noirchick1]

Remembering Gene Kelly, who died this day 2/2/1996, but whose talent and endless energy lives on -as in a short bit of this number from "Summer Stock"

[Roi Lopez Rivas @RoiLopezRivas]

Primero: ese video fue hecho con IA.

Segundo: dijo al que lo asesinó, "dispara qué sólo vas a matar a un hombre", porque el soldado temblaba de miedo.

Fue valiente y coherente hasta el último segundo de su vida.

[PmAmTraveller @pmamtraveller]

Auguste Leroux - The Sorrows of Young Werther

[liv @garboism]

being an old hollywood fan is so funny because wdym 1926 was 100 years ago i was just there

[Sociocrônica @sociocronica]

Marlene Dietrich passando um batom simplesmente antes de ser fuzilada por um pelotão por traição em “Desonrada” 💄

[SB @sboficial]

A VIDA PRESTA! #GoldenGlobes

[Meg ✦ @Flicky0ps]

Capitalism is better than socialism because one man gets to be a trillionaire instead of everyone having healthcare