eltorto lero

unoriginal |
jugador de pump it up profesional | disque estudia cine |
-él/elle

[🧸🍺 lili ♡ @bearyfluffi]

#WeWantSusan

[Genius @Genius]

50 years ago today, stevie wonder gave us 'songs in the key of life' 🎹✨

the album ended up winning four GRAMMYs including album of the year and debuted at no. 1 on the billboard 200, where it spent 14 weeks at the top

“i wish,” “isn’t she lovely” and “as” all became classics from the project

50 years later, stevie is taking songs in the key of life back on the road with an anniversary tour kicking off october 13 in birmingham, england 🎶

what’s your favorite song from the album?

[doomer @uncledoomer]

the tiny domesticated dog runs free while his wild wolf brethren pace the enclosure. much to think about as i log into microsoft teams this morning.

[DiscussingFilm @DiscussingFilm]

Wile E. Coyote on set of ‘COYOTE VS ACME’.

(Source: https://t.co/rGnRFtYu4m)

[yoshimi battles dracula @nise_yoshimi]

"Nolan's odyssey is Christian in its morality" is a sentiment that could only come from Americans, who all without exception believe that Christianity invented morality (good) or that Christianity invented morality (bad)

[sol.exe @kurapiksun]

pues claro que no hijo, juan gabriel no escribía mierdas

[RWBY @OfficialRWBY]

RWBY Volume 10 has officially been greenlit!

Thank you so much for your patience, passion, and continued support throughout the years. We know it’s been a long wait, but trust us: it’ll be worth it ❤️🤍🖤💛

[HIDEO_KOJIMA @HIDEO_KOJIMA_EN]

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Eventually, even digital data will no longer be owned by individuals on their own initiative. Whenever there is a major change or accident in the world, in a country, in a government, in an idea, in a trend, access to it may suddenly be cut off.

[SugarRatio @SugarRatio]

BRO

[Papa León XIV @Pontifex_es]

No podemos considerar la #IA como moralmente neutra. En realidad, todo artefacto técnico lleva consigo decisiones y prioridades: lo que mide, lo que ignora, lo que optimiza y el modo en que clasifica personas y situaciones. El discernimiento ético no se puede limitar a preguntarse si usamos un determinado sistema para un fin bueno o malo, sino que debe interrogarse también sobre el modo en el que está diseñado y qué idea de persona y de sociedad queda inscrita en los datos y en los modelos que lo guían. #MagnificaHumanitas

[Neet @neet_sol]

Worth a shot

[Jonathan Guyer @mideastXmidwest]

"Here’s the problem: today, the description of the world is always reduced to yes or no, black or white. Superficial stories. Superhero stories. One side is the good one. The other one is evil.

"But I’m not a moral lesson giver. It’s not for me to say what is right or wrong. I describe situations as honestly as possible. The way I saw it. That’s why I use my own life as material. I have seen these things myself, and now I’m telling it to you.

"Because the world is not about Batman and Robin fighting the Joker; things are more complicated than that. And nothing is scarier than the people who try to find easy answers to complicated questions."

~ Marjane Satrapi (1969-2026)

[PmAmTraveller @pmamtraveller]

the German magazine “Lustige Blätter” from 1932.

[DiscussingFilm @DiscussingFilm]

First trailer for ‘LE VERTIGE’, a film about a man who must prove reality is a computer-generated simulation.

• The film is animated to look like a PS1 game - inspired by ‘GTA Vice City’

• 5 people animated the film using Blender + an app on a iPhone to do motion capture

[Leonor @tmbnLNR]

Guía😜para ver Camp Miasma😍♥️conmigo 🏕️😉:

1. No 😒preguntar 🙅👎QUIEN es Little Death🌳💀 (Tuviste mucho 📆⏰ tiempo para averiguarlo🔎)

2. ALERTA: Debes 💑🙏😹 abrazarme fuerte cuando Hannah y Gillian tengan sexo⚡en pantalla🙀🙈😳 De otro modo, no🌞😖resistiré

[Pop Base @PopBase]

Pope Leo XIV on AI:

“Artificial intelligence needs to be disarmed. The word [disarmed] is strong I know, but deliberately chosen because this moment needs words capable of attracting attention, awakening consciences, and indicating paths forward for humanity.”

[miso @misoboring]

how it feels to be a cd collector in a vinyl collector world

[Aokiji クザン 🇵🇸 @DukeOfZamunda]

I promise he hasnt seen hating yet

[Tay🦇 @TayScorsese]

this clip is a litmus test for filmtwt’s understanding of the filmmaking process

[zaso ✟ 📹🍂 @ev1lzaso]

Because of the success of TEENAGE SEX AND DEATH AT CAMP MIASMA as it premiered at Cannes yesterday, I think now is a better time than ever to recommend and celebrate Jane Shoenbrun as a guiding force in the evolving world of modern queer cinema. If for whatever reason you are out of the loop, Shoenbrun has been a powerhouse in the independent film scene for years, beginning their feature film journey with a creepy pasta-esque story of loneliness, morbid curiosity, and discovery into the unknown through a young girl and her experience with a mysterious internet trend in WE'RE ALL GOING TO THE WORLD'S FAIR (2021).

In all of Shoenbrun's works, it's clear that they have a visually striking, abstract manner of storytelling that carefully walks the line between horrifying and beautiful. Their characters are are a tour de force of portraying the fears when self-expression is limited or discouraged, especially in the case of queer identities. Shoenbrun is unapologetic in their approach, forcing our eyes open to the horrors of the human experience in a dreamscape of pastels and nostalgia. Their works show us what the innermost common ideals of identity, expression, confidence, and lifestyle can look like in their most bizarre formations, like things that only lie within our dreams.

Jane Shoenbrun is a queer artist and a champion of colliding worlds of fiction and reality with masterfully-crafted dialogue, explosive characters, and striking aesthetics that amalgamate into a harmonious storm on film -- and one that's not like anything anyone's experienced before. If you haven't joined the Schoebrun bandwagon, you need to.