Paul Allen 💙

Real ale drinker, real food eater, real music lover. Worcs Warriors and ITFC. Sucker for punishment.

[Paul Allen 💙 @tractorboy1963]

@talkSPORT Has any team been relegated on 3 consecutive seasons?

[Paul Allen 💙 @tractorboy1963]

@Stuart_Watson Right time for me, club legend, thanks for everything KM. Thomas Frank please.

[The Morecambe & Wise Archive 👓🌞♥️ @eric_ernie_col]

28th May 1984…

#EricMorecambe

…dies after a heart attack.

He was just 58 years old…

[Paul Allen 💙 @tractorboy1963]

@TheFootyFeed 💯

[Paul Allen 💙 @tractorboy1963]

@Stuart_Watson For the first time since I started supporting this great club in the 1970s, I'm ashamed to be a fan.

[Paul Allen 💙 @tractorboy1963]

@Mcossalifrancis Right now, I'd fancy playing England. And I'm 62 with a knackered knee.

[Paul Allen 💙 @tractorboy1963]

@alexnljones Pick a losing team, you lose. Simples.

[Armchaired Juror @AJuror865]

"devastating"

[Paul Allen 💙 @tractorboy1963]

@haveigotnews To be fair, he's always been against working from anywhere.

[Auschwitz Memorial @AuschwitzMuseum]

Creating fake, AI-generated images of Auschwitz and other camps is a dangerous act of distortion. Social platforms - especially Facebook - are directly responsible for enabling and amplifying their spread. This matters because such content does not merely falsify history; it actively harasses the memory of the victims.

Photography has always carried an implicit social contract: when we look at a photograph, we trust that a photographer stood in a real place, at a real moment, and preserved a fragment of reality. This trust is foundational to historical documentation. Camp photographs from Auschwitz are not illustrations; they are evidence.

AI-generated images break this contract while imitating its appearance. They are not photographs, yet they are presented in visual language that mimics documentary photography, deliberately exploiting the viewer’s learned trust in photographic images.

Today, when users search for “Auschwitz” on Facebook, an increasing number of results consist of fabricated, AI-generated images and misleading posts rather than authentic historical documentation. By allowing these distortions to surface, circulate, and gain visibility, Facebook directly contributes to the erosion of factual understanding of the complex history of Auschwitz, which we try to protect.

That is why we believe that the platforms should take the responsibility by actively moderating such content and clearly flagging fabricated imagery.

It remains deeply concerning that the distortion of Auschwitz history through AI-generated imagery and texts is not treated as a violation of platform rules. This must change. Memory and historical truth deserve better and stronger protection.

[Paul Allen 💙 @tractorboy1963]

@BrilliantMaps No

[Paul Allen 💙 @tractorboy1963]

@ThePoke He has followers??

[Keith Burge @carryonkeith]

Apparently, Tylenol can cause memory loss. Repeated mention of it could result in people forgetting all about the Epstein files.

[The Poke @ThePoke]

Donald Trump was welcomed to the UK by an enormous slideshow of him and Epstein on Windsor Castle, and the internet is here for it.
https://t.co/U3R4aslXTA

[Led By Donkeys @ByDonkeys]

While we’re talking about politicians and tax, a reminder that Nigel Farage works for a company that exists to help rich people avoid tax.

[BladeoftheSun @BladeoftheS]

Let’s settle this, is Nigel Farage a racist?

Like if he is.
RT if he is a traitor.

[The Poke @ThePoke]

This American politician utterly destroyed ‘Putin-loving free speech imposter’ Nigel Farage to his face and Brits all said the same thing
https://t.co/WVDJd2WnPu

[Paul Allen 💙 @tractorboy1963]

@SixNationsRugby Wales beating anyone

[Paul Allen 💙 @tractorboy1963]

@robertpopper Not all. War of the Worlds is excellent

[Paul Allen 💙 @tractorboy1963]

@SaucySeventies Defo batteries, judging by the font