Freelance Digital Producer in Theatre/Film/Arts 🌈 She/Her. Hidden disability. AND VERY DYSLEXIC PLS FORGIVE MY GRAMMER/SPELLING ON THIS GODFORSAKEN APP
Introducing the Writers’ Card…
Completely FREE to join, the Writers’ Card is a radical invitation for playwrights – a renewed promise of support and community, founded on the artistic values that have always driven the Royal Court's mission.
https://t.co/huFcetfCae
This September will see Red Oak Theatre, led by Co – Artistic Directors Matthew Holmquist and April Dalton, stage their first production as one of our Companies in Residence. Splinter by Gemma Prangle will be performed in the Studio from 14 – 21 Sept.
Breaking my twitter silence to say how excited I am to be apart of this new cohort!! Another big thank you to @tamashatheatre and @2AHuynh for your hard work in putting together this fab scheme ✨
.@tamashatheatre has appointed its first cohort of trainee digital producers for an initiative designed to tackle the imbalance of opportunities for Global Majority theatremakers.
Read more 👇 https://t.co/bKLlmnLZds
🎬 To celebrate the end of a phenomenal sold out run, here’s an exclusive look at NEXT TO NORMAL
Music by Tom Kitt and book and lyrics by Brian Yorkey. Directed by @mrmrlonghurst
Filmed by @UmbrellaRooms
📢 ANNOUNCING TWO NEW SHOWS FOR 2023
The European premiere of Lynn Nottage’s CLYDE’S and a new production of MACBETH by William Shakespeare, starring David Tennant
We are so excited that our production Breathless opens in New York today, and we'd like to wish the whole team the best of luck! 🤞
The show, written by @LauraCHorton, is on at @59E59 until 7 May as part of the #BritsOffBroadway season.
Read more: https://t.co/eerCRWRq6O
I don’t write my silly little design column anymore, but if I did I would 1000% write about Greta Gerwig dressing like the movies she directs.
What a concept!? Immersive crew and creatives!? Art is a team sport!?