Scholarships are 1 year renewables. They are not for all four years. The quiet part nobody talked about is how, if a coach doesn’t want a player, he can simply not renew the scholarship.
If you want to blame anyone, blame the NCAA. They were greedy. They wanted to cut the players out of everything and the reason they keep losing in court is because you cannot control player movement, and prevent them from making money off their own name.
The NCAA doesn’t want to admit they are employees because they don’t want the financial responsibility. Well, if they aren’t employees, then you can’t tell them they aren’t allowed to transfer.
Again, y’all gotta decide when your capitalists are when you’re not.
@55mmbae There's black people out here if you come solo. Post on Facebook group (I know, I know) African Americans in Australia that you trying to come. People gonna meet up with you and all that for real.
Dostoevsky wrote this after nearly being executed:
“When I look back at my life, I feel pain not because of suffering, but because of wasted time. I see how carelessly I lived, how often I ignored the quiet voice of my soul, how rarely I understood the value of a single moment. Only when death stood before me did I realize that life is not merely existence—it is a miracle. Every minute is a treasure, and in every breath, there is the possibility of happiness.”
Album of the day. I remember coming across this album during fall of 2010, right into the second year of my undergrad. I was already familiar with the electronic R&B/hip-hop duo The Foreign Exchange on the strength of music videos for "Take Off the Blues" and "I Wanna Know" getting regular rotation on VH1 Soul. But something about this album drew my attention. From the beautiful autumn-themed album art with its multi-colored leaves to the first whiffs of Nicolay's icy synth soundscape on "The Last Fall," I was hooked. Nicolay's textured, downcast production was steeped in '70s soft rock, with nods to acoustic folk and '80s-period Prince. Then, there was Phonte's heartfelt voice and confessional songwriting, reflecting on the varied perspectives of a relationship on the rocks. A slight departure from their alt-R&B and hip hop sound, Authenticity was initially a hard sell for several devoted fans. Perhaps its singer-songwriter vein didn't immediately register for those who expected a sequel to 2004's Connected or 2008's Leave It All Behind, but Authenticity has grown in stature as a fan favorite as well as my personal favorite in the Foreign Exchange canon. Who knew tainted love could sound so beautiful?