London-based producer @StevenJulien808 details new EP 'Wraap't'.
He shares the barbershop-themed, retro-stylized title track with vocals by @QUEENFATIMA -
https://t.co/b3kZ0U9SP7
Marguerite Duras claimed to see cinema as a ‘pointless’ enterprise. That’s partly what made her such a skilled film-maker, writes Annabel Bai Jackson @ICALondon
Or:la (@orla_cd) announces debut album Trusting Theta on @fabriclondon Originals.
Album features @soaksoaksoak, @ElizaRosemuzik;
Hear a great new song ‘Chant’ 👇
https://t.co/WqaTvFaovH
Electronic powerhouse @kucka's deepens her artistic evolution with new album ‘Can You Hear Me Dreaming?,’ a playful human dissection of the collective Internet experience, with KUČKA’s stellar pop songwriting and electronic production. https://t.co/Bg6UUBtLre
🖊️ @carolinakrampl
SONDUKE is pleased to share our review of Clarissa Connelly's album “World of Work” (2024). The latest release from Warp Records delves into the timeless themes of Work and Desire.
Written: Afraa Al Hassan
https://t.co/tt8nE1y5oh
Scottish-born, Copenhagen-based artist Clarissa Connelly has a way of pulling the ancient into the present tense. We spoke with Connelly about her great new record ‘World of Work,’ out now on @WarpRecords.
Listen to the album and read the interview here: https://t.co/o4EFUezALq
Ahead of playing Assembly at @sh_studios_ this coming weekend, @dis_fig takes us through a playlist of tracks she's digging currently 💿
https://t.co/EcTsGxhA9G
“The Abattoir video is left open-ended, but it nevertheless orbits a central, troublesome question: when did you die?”
Aria Dean – profile by Jenny Wu
Feb Art Monthly
Quarterly subs from £9 + p&p
https://t.co/S6umlxcs1c
[Aria Dean, ‘Abattoir, U.S.A!’, 2023]
@safflower_lady