a mi no solo me hace ruido el video donde le tironea el brazo para meterla rápido al auto sino que tambien esta foto donde prefirió meterla entre las ramas antes que cualquier otra opción de ser humano decente como no se proponer taparte la cara con las gorras ingles imbecil
"come back joe alwyn"
"we miss you joe alwyn"
"maybe joe alwyn wrote folklore and evermore"
"taylor needs to take a break"
"her music was better when she was sad"
Siempre lo he entendido de esta forma porque ha sido experiencia personal: no se trata de tus valores, sino de cómo la otra persona se siente SUPERIOR a ti y encuentra cualquier oportunidad para hacerte diminuta. Como si no valieras nada.
GANÓ EL MEJOR VIDEO DEL AÑO !!!!! 🙂↕️🙂↕️ pueden decir lo que quieran de TLOAS, pero the fate of ophelia es uno de los mejores singles y videos de su carrera. Solo taylor swift puede hacer un hit con una canción sobre una obra de shakespeare, tenés que cerrar el estadio nivel god
qué afortunados somos de seguir y admirar a una artista tan talentosa que realmente AMA su trabajo, ama hacer música, ama hacer arte. qué placer disfrutarla, te amo taylor swift
The Patient Zero video is finally out in the world! Getting to work with Emmanuel Lubezki was something out of a dream sequence, and I learned so much from getting to watch his genius in action. I want to thank Dakota and Colin for trusting me with their time, taste, and talent (Giggling with your friend because you’re twinning for an entire shoot was a new and truly delightful experience). And Colin’s turn as a villain is even more impressive when you get to be around him. He’s an absolute light and as kind as they come. Cara, thank you for agreeing to play the lusty other woman. That’s what friends are for?
With the Patient Zero video, I got to explore the cinematic and literary genres I love so much. I wanted to incorporate elements of gothic ghost stories, true crime, psychological thrillers all in a setting I hadn’t really shot in much. The house was a metaphor for the coldness of a relationship that’s faded and atrophied. Thank you to Ethan Tobman for your insightful production design, and bringing that feeling to life. My editor Chancler Haynes has outdone himself. And lastly, thank you to the VMAs for giving us a World Premiere at the place where celebrating music videos became a thing. And so much love for you guys, always. Watch now on https://t.co/5gUyQ8yBJf