“Cinematography is more than a camera, whether that camera is a Red, an Alexa, or a Bolex. There is a little more to it that resolution, colour depth, latitude, grain structure, lens aberration, etc. etc. etc. 1/2
#RogerDeakins
UP.GRADER Ben Packer seeks input on his research into grading approaches that work by creatively restricting the available luminance range of scenes (or entire films).
Fellow cinematography nerds: today, I'm putting up a new post on some common misconceptions about large format optics.
https://t.co/y6upYqXnnH
#BoringFilmTechStuff
If I were to spend a day in London sometime the week of Dec 2~6 teaching you everything about math for digital cinema/HDR/WCG that I could squeeze into one day, in a workshop-y venue with espresso easily available and no more than 10 people in the room, would you attend?
There’s a feature in the Guardian about Michael Stipe’s photography <https://t.co/8aDNYdV5YP>. A passport photo from 1987 shows two copies of his face. It’s an accidental stereo pair. You can freeview it: converge behind the picture, at 2 × viewing distance. Michael may not know!