A deep-volume-bas-relief for a facade with temporary lights and two doors, one more vertically expressive than the other, by Kate Finning. Photographs: Rory Gardiner.
A drawer column; exhibition curation and creative
direction with Marsha Golemac for @mujiaus
Presented by MUJI Australia, this exhibition explores how restraint, clarity and material consideration are brought into form. MUJI, Made.…
A roller-blind-enclosed-soffit-covered sunroom alongside a patio for a terrace in Coogee. New tiles—floor and wall—and a planting and furniture schedule, mostly ready-made and as-found from Ikea, Bunnings, National Tiles, and the local native nursery. Early study with @chunc.ee
Casually stained bricks for an already extended hearth in a corner of existing good character. Split system included. Some roughed in provisions for a wall light and eye plate too.
Two new ranges, an opening widened and a second added for the minor reconfiguration of an existing kitchen. Opened rooms but not open plan. An early study for an apartment alteration with Louis Horne. Image by @indicativepictures
Big door small door corner cupboard beside an occasional roller-blind-door mostly resting as a decorative lintel. Studies for a guest room in Shimokitazawa.
Slipped-frieze-esque, possibly Sgraffito in logic and seemingly Secessionist in expression. A study of Hoffmann’s very low relief facade with @indicativepictures
Partial facade renewal for a stack of semi detached villas. Resealed, patched, partially secured and painted; buttress like metre box added, embellished for plausible grandeur and added good character. Or ultimately, nothing special.
More square and a little wider; a room re-proportioned from *2.8×3.5m to 3.5×3.5m. Three new doors and an off-centred, reinstated ceiling rose set beside a new light. An informal middle room, readjusted by relations not just resized by measurements.
*see fig 3.