Los mexicanos hicieron un puente de vasos de cerveza para aventar personas por arriba y que los atrapen del otro lado JAJAJAJAJA me encanta que seamos tan nacos
David Freyne’s #Eternity@A24 hit me in a way I wasn’t prepared for. It’s the kind of film that puts a quiet smile on your face even as it sneaks up and gently cracks your heart open. Elizabeth Olsen is utterly magnetic, Callum Turner radiates an easy charm, and Miles Teller is pure delight each of them bringing something so earnest and alive to a story that’s literally about the afterlife. Da’Vine Joy Randolph and John Early light up every moment they’re in, grounding the film with warmth and wit. Beneath the high-concept premise of choosing your “forever one,” the movie digs into something tender and uncomfortably real, the dreams we build around idealised love versus the imperfect, genuine relationships we actually live for.
The classic rom-com dilemma gets reimagined here with such emotional clarity. And then there’s the world-building: the lobby of limbo with its bizarrely funny menu of Eternity’s (No Men World, Ice Cream World, playful and pointed at the same time, a reminder that even in eternity, human nonsense prevails. But under the humour, #EternityMovie is a gentle, soulful look at grief, memory, and the strange ache of imagining forever. It’s a rom-com, yes, but also a balm, something that made me laugh one minute and mist up the next. The look, the colours, the whole design of it felt comforting in a way I didn’t expect. I could’ve spent an eternity watching this. It’s whimsical, heartfelt, beautifully acted, and somehow both timeless and deeply present. We need more films like this, stories that dare to ask what love looks like when we strip away the fantasy and stare straight at the truth. A tearjerker, a soul-cleanser, and an absolute delight.