always abaft; ever athwart. draw nigh for tidings of geyser-stoolman's revelatory new products: touch-tone knee implants and the driver's-side marmot hopper.
the astonishing octave-miss motif of michael small's score for the parallax view; and the same interval defining the perilthrill of trickster creation according to 2/3 of the three crucial notes of anthony newley and leslie bercusse's work for willy wonka & the chocolate factory.