Prince William is reportedly turning down offers to participate in documentaries commemorating the 30th anniversary of Princess Diana’s death, even as rumor swirl that Prince Harry is working on a Diana doc of his own
https://t.co/NRmitdQYmL
The past few decades have seen some of the most expensive divorces ever. Here’s a selection of nine famous couples whose separations cost a fortune
https://t.co/moRi7oPXzF
The main casualty of Trump’s latest assault on the press turns out to be his very life force: the TV camera. VF’s Aidan McLaughlin reports from the White House grounds
https://t.co/h4OdqSQrWc
Isaac Mizrahi no longer has his namesake collection but has remained a fixture in pop culture. And now ‘Unzipped,’ the seminal 1995 documentary about his life and work, is back in theaters. He spoke with Vanity Fair about criticism, American fashion, and the time Prince showed up to a show unannounced
https://t.co/yrEwTmiQlh
Taylor Swift’s 'Showgirl Encore' features four new tracks that have divided fans. VF decodes the controversial songs, which include pointed references to past loves and jabs at her critics
https://t.co/I2UJTbljBC
When restaurateur Eugene Remm transformed the former home of a chain Mexican restaurant into The Corner Store, wasn’t trying to create an influencer hot spot. There was no social media strategy, and no marketing plan. “I did not know what an influencer was. Sincerely,” he claims, saying he just wanted to build “a little hang, a little American grill"
https://t.co/GYdhCEEX5r
When veteran Vogue editor Grace Coddington's marriage ended, her friend Michael Roberts moved into her large brownstone in Fulham, London. "He came for a week and stayed nine months," she writes in her latest monograph, 'Grace: Now,' "until my divorce papers arrived and we both had to move out"
https://t.co/IVBxJwiBBv
That long-awaited Fred Astaire biopic starring Tom Holland just named its two leading ladies—and Fred’s daughter couldn’t be happier
https://t.co/ewETS0kW5b
Milan and Italian style were under the microscope on Friday afternoon when Demna staged his third show for Gucci, and Loris Messina and Simone Rizzo made their debut at Moschino. Both shows attempted to offer a perspective on authentic Italian style, albeit with different devices
https://t.co/8wb8hikVvb
Mike Faist on 'East of Eden' costar and Vanity Fair cover star Florence Pugh:
“The truth is that the sky’s the limit. In my opinion, she could do no wrong."
https://t.co/lUkjfNSIvk
Florence Pugh will coproduce and star in a film version of Dorothy Baker’s cult-favorite novel ‘Cassandra at the Wedding,’ directed by India Donaldson.
“I’m going to be identical twins. And that is totally terrifying but exciting.”
https://t.co/lUkjfNSaFM
Florence Pugh on the industry:
“I know that everybody in this industry has rises and falls. I’m not an idiot. I’ve seen that happen to loads of people, especially women. We love to build them up, and we love to bring them down.”
Read the cover story: https://t.co/lUkjfNSaFM
“I don’t like messy sets," Florence Pugh tells Vanity Fair.
"I want people to come to work and work, and enjoy that it’s a luxury to do this. When moods change on set, it’s because someone is preventing that from happening, and that’s what makes people feel like they haven’t been cared for.”
Read the cover story: https://t.co/NYlpvQWDyB
Florence Pugh on Palestine:
“It’s still happening. Babies are still dying. Mothers are still in pain. It’s really horrible to be watching such pain when so much of our lives just seem to be moving forward. I think that’s what I’ve found so difficult about social media as well: How can I say I’m having a really good time when literally one scroll up, I’m looking at a baby that’s motherless and fatherless?”
Read the cover story: https://t.co/NYlpvQWDyB
Florence Pugh on her characters:
“I don’t know how to play characters without sympathizing with them. And I think I’ve tried to do my best after ‘Midsommar’ to be fair to myself and also to be fair to the character. I’ve learned over the years to know when enough is enough, when I’ve abused my state of mind or put my body through things that I shouldn’t. I now know how to protect my space."
Read the cover story: https://t.co/l2WD29Q2Gq
Princess, madam, soldier-spy.
Florence Pugh, who has an extraordinary knack for steering through Hollywood’s choppy waters, plays all three onscreen this year.
While she makes candles with Vanity Fair’s Hillary Busis, Pugh explains her renewed love for her work—and talks just a little bit about the things she doesn't like to talk about.
Read the full cover story: https://t.co/jucnWCYnBe
When ‘Club Kid’ had its world premiere at Cannes in May, Jordan Firstman was following in the footsteps of greats who had been christened as major filmmakers on those very streets: Philip Kaufman, Alejandro González Iñárritu, Wong Kar-wai, Jane Campion. His feature directorial debut unspooled in front of a packed house at the festival, earning a long, jubilant standing ovation. “The energy in the room was palpable,” he says now, remembering. “I’ve never felt anything like that for anything I’ve done.”
But the speed at which the conversation around the film turned from being about the art to being about the commerce was startling to him. A bidding war erupted, which would end with A24 buying Club Kid for $17 million, the biggest deal of the festival this year. Though that marked a huge win for a first-time filmmaker, Firstman wished he could have basked in the warm glow of watching his movie just be a movie for a little longer. “This is something so personal to me, that I poured my heart into—and now it’s numbers,” he says.
@beccamford catches up with the cast of ‘Club Kid’: https://t.co/9PFYoBzUIx