KENTA58

映像ディレクター | YouTube・TikTokチャンネル撮影・編集・構成 | 色んな人撮影しています

[抹茶もなか @GianMattya]

以前作った上場企業の関係性可視化マップを最新版に更新し、Githubに公開しました
企業間のつながりを「資本、取引、業務提携、人的（兼任している役員がいるか等）、グループ」の5つの関係で繋ぎ、（可能な限り）エビデンス付きで可視化しています
意外な企業間に繋がりがあるのが見えて面白い

[KENTA58 @vazsamurai]

S賞キターーー🏆💓
ポイントにするか発送するか悩みどころ🐱
#トレンドランド
#トレンドランド当選報告

[KENTA58 @vazsamurai]

@trendland_Oripa オリパ55万円以上課金しますが3等でも満足です！

[オリパのトレンドランド公式🐤総額55万円分プレゼント中 @trendland_Oripa]

🎁総額55万円分プレゼント🎁

本日リリースを記念して、
38名様に総額55万円分をプレゼント‼️

👑1等　Nintendo Switch 2／2名様
🔥2等　ポケカ「ストームエメラルダ」1BOX／20名様
🎫3等　Amazonギフト券 5,000円分／16名様

▼応募方法
①このアカウントをフォロー
②この投稿をリポスト
③リプライで当選確率UP🔥

⏰9/26（土）23:59まで‼️
🎫3等は毎週土曜に4名様ずつ抽選します

https://t.co/N6vyGTbgYq

#オリパ　#トレカ　#トレンドランド

[Takumi Kawasetsu, 川節拓実 @takumi_k_jpn]

100m障害物走の決勝

[SEIIIRU😈AIを使う映像クリエイター @seiiiiiiiiiiru]

[ Minimax H3 ] -AI Motion Graphics-
デスクトップアプリのMiniMaxDesignで作成。

どうすすめるか👇
#MiniMaxH3 #MiniMaxDesign

[タナベ | AI動画 × マーケティング @tanabe_fragm]

Claude CodeにMiniMax H3のプロンプトを丸投げしたら、この動画ができました😃

Claude Codeに投げたプロンプト↓
-------------------
MiniMax H3を使ってモーショングラフィックスをバリバリ使った15秒のCMを作りたい。
どんな内容が良いと思う？
条件は以下
・モーショングラフィックスを多用
・人物も登場させる（実写・アニメーションは問わない）
・アスペクト比は16:9
-------------------

すると、Claude Codeが3つCM案を提案。
そのうちの1つを選んだら↓のプロンプトができました。
MiniMax H3を利用したツールはMiniMax Design。
#MiniMaxH3 on #MiniMaxDesign

Claude Codeが作ったMiniMax H3向けのプロンプト↓
----------------------
integrated_multimodal_description:
2D-animated, a bold graphic-design motion-graphics commercial in 16:9 with exactly 13
distinct cuts at 24fps. This film is 85% kinetic graphic design and 15% character action:
giant kinetic Japanese typography, hard-edged flat shapes, split screens, halftone, speed
lines, torn-paper reveals and shutter flashes. Palette, strictly four colors: fluorescent
orange, deep black, off-white, silver grey. The recurring character is a young anime street
dancer with a black chin-length bob and blunt bangs, sharp confident eyes, an oversized
off-white track jacket with fluorescent-orange sleeve stripes, black cargo shorts, and
chunky white sneakers with fluorescent-orange lines. Preserve her exact face, proportions,
hairstyle, outfit, materials and colors throughout; never redesign her. Every graphic
element moves fast and snaps hard on the beat.

[Shot 1] On a deep black field, a massive off-white circle slams into frame left of center,
then two fluorescent-orange bars wipe across the upper and lower thirds, then the Japanese
kanji "烈" builds itself stroke by stroke in off-white at the center until it is complete.
The camera shakes slightly with small amplitude at fast speed on each impact.

[Shot 2] At 00:01.000, the camera cuts to an off-white field where four black squares
rotate into the center one at a time. The largest square opens as a porthole revealing an
extreme close-up of the dancer's ice-sharp eye glancing up, then a red-and-cyan split flash
tears across the edges and the squares shatter into flat shards. The camera pushes in with
small amplitude at fast speed.

[Shot 3] At 00:02.000, the camera cuts to an off-white field filled by an enormous black
kanji "烈". The dancer sprints in from frame left, power-slides along the baseline of the
typography, and fluorescent-orange ink splatter trails behind her as speed lines streak
past. The camera trucks left with large amplitude at fast speed. The kanji stays fully
readable before she crosses in front of it.

[Shot 4] At 00:03.100, the camera cuts to a vertical triptych of fluorescent-orange, deep
black and off-white panels. Her flat silhouette appears in each panel in stroboscopic
freeze, one after another — takeoff, mid-air tuck, landing — while giant vertical silver
text "全速" scrolls upward behind the panels. Static shot.

[Shot 5] At 00:04.000, the camera cuts to a black field where a giant tilted ring of
fluorescent-orange Japanese characters reading "止マルナ" rotates. The dancer leaps through
the center of the ring, spins once in mid-air, and the characters break off and scatter
outward as flat shards. The camera arcs with large amplitude at fast speed, then snap-zooms
onto her confident face.

[Shot 6] At 00:05.100, the camera cuts to a clean off-white editorial card holding a huge
black kanji "跳" with one orange diagonal slash. She vaults over the word itself, plants her
palm on its left radical, the character compresses like a spring under her hand, then
rebounds as her legs whip across the frame. Static shot.

[Shot 7] At 00:06.000, the camera cuts to a full fluorescent-orange field crossed by one
thick black diagonal stripe. She back-flips along the stripe in three stroboscopic ghost
frames tinted black, off-white and silver grey, while a large outlined kanji "回" rotates
180 degrees in sync with her rotation. The camera rolls clockwise with small amplitude at
fast speed.

[Shot 8] At 00:07.000, the camera cuts to an off-white field with a hard black band. Four
bold black kanji slam in one at a time at different scales and angles — "速", then "鋭",
then "静", then "烈" — each landing with a white shutter flash and an orange impact mark,
while she slides on her knees across the foreground, jacket flaring. The camera shakes
slightly with small amplitude at fast speed.

[Shot 9] At 00:08.000, the camera cuts to a black frame where a white wireframe grid tilts
away in 3D. She runs up the grid like a wall, kicks off it, and hangs frozen in mid-air as
a fluorescent-orange circle stamps around her pose like a target lock with silver UI
brackets and tick marks. The camera tilts up with small amplitude at slow speed.

[Shot 10] At 00:09.000, the freeze releases and the camera cuts to layered flat-color panes
stacked toward the lens. She dives straight at the camera, the panes tear open one at a
time like thick paper, and each tear reveals a larger portion of the black kanji "烈"
behind, before her sneaker wipes across the foreground. The camera pulls out with large
amplitude at fast speed.

[Shot 11] At 00:10.100, the camera cuts to a rapid-fire montage of four full-screen graphic
posters of her in different action poses — mid-flip, sliding, landing, hands in pockets —
snapping past with hard cuts, each with an oversized silver number 01 to 04, a black
barcode strip and thick diagonal slashes. Static shot.

[Shot 12] At 00:11.100, the camera cuts to a clean off-white cyclorama for the hero moment.
She lands a final backflip dead center in slow motion, straightens with both hands in her
pockets, and a shockwave of concentric fluorescent-orange rings blasts outward from her feet
carrying shattered fragments of the kanji "烈" with it, then the frame overexposes toward
white. The camera pushes in with small amplitude at slow speed.

[Shot 13] At 00:13.000, the camera cuts to the final identity card on a pale off-white
field. An enormous black kanji "烈" dominates the frame with translucent orange rings and
thin technical arcs behind it, the silver-grey word "RETSU" sits directly beneath the kanji,
and she stands relaxed at the lower center overlapping the bottom of the strokes with her
jacket rippling. One thin orange pulse sweeps horizontally through the typography and holds
cleanly until exactly 15.000 seconds. Static shot.

Editing: extremely aggressive rhythm — hard cuts on every beat, graphic matches, whip pans,
snap zooms, stroboscopic freezes, foreground wipes, split flashes and impact shakes. Every
cut must feel compositionally different. All Japanese typography is always fully readable
before the character overlaps it. No weapons, no combat, no fire, no explosions; all energy
comes from motion design, ink, torn paper, wind and her street-dance athleticism. No
photorealism, no 3D rendering, no gradients, no browser interface, no player controls, no
subtitles, no captions, and no text other than the Japanese characters named above.
Exactly 13 cuts.

overall_soundscape:
Sneaker impacts, knee slides and landings hit hard against a clean room tone. Ink splatters
burst, thick paper tears open, and flat panels shatter like glass. Sharp whooshes carry the
color wipes and typography slams, with small shutter clicks on each flash. No dialogue.

non_diegetic_music:
An original 15-second drum-heavy breakbeat with a deep sub bass, hard snare hits, risers and
glitch fills locked to every cut. Begin with a single impact, build tightly through the
middle, peak at the landing at 00:11.100, and end with a cold electronic logo sting that
resolves at 15.000 seconds.

[小物＠MKT🔥 @komonogame]

着火ぁああああああああああ🔥🔥🔥

[KENTA58 @vazsamurai]

@japanvistamedia This video really captures the reality of Japanese office workers

https://t.co/W6P4JDChoK

[KENTA58 @vazsamurai]

@CataPaul2 This video really captures the reality of Japanese office workers

https://t.co/W6P4JDChoK

[KENTA58 @vazsamurai]

@earthcurated This video really captures the reality of Japanese office workers

https://t.co/W6P4JDChoK

[KENTA58 @vazsamurai]

@AsianDawn4 This video really captures the reality of Japanese office workers

https://t.co/W6P4JDChoK

[KENTA58 @vazsamurai]

@noticiatrabajo This video really captures the reality of Japanese office workers

https://t.co/W6P4JDChoK

[KENTA58 @vazsamurai]

@gantry_the1991 @FeelYouHappy This video really captures the reality of Japanese office workers

https://t.co/W6P4JDChoK

[KENTA58 @vazsamurai]

@FeelYouHappy This video really captures the reality of Japanese office workers

https://t.co/W6P4JDChoK

[KENTA58 @vazsamurai]

@levirelates This video really captures the reality of Japanese office workers

https://t.co/W6P4JDChoK

[KENTA58 @vazsamurai]

@JeroenBauer @Romy_Holland This video really captures the reality of Japanese office workers

https://t.co/W6P4JDChoK

[KENTA58 @vazsamurai]

@JD_Vance_RV_Q This video really captures the reality of Japanese office workers

https://t.co/W6P4JDChoK

[KENTA58 @vazsamurai]

@LOCAMA_AT この弁護士さんの解説面白いです👀
https://t.co/MGUxtK8nqY

[KENTA58 @vazsamurai]

@DQ10_INR この弁護士さんわかりやすいです
https://t.co/oW9wrm6mVo