m_o'n

[m_o'n @veil_33]

@Chop_Chop_85 @OwenBenjamin Anyone can learn on their own EVERYTHING...

[m_o'n @veil_33]

@JamieAA_Again 💖💖💖

[m_o'n @veil_33]

@JamieAA_Again I regard you as the brightest wit, Jamie...

[Jamie Andrews @JamieAA_Again]

You don't need any of this stuff in your body, the blood work saying you do is just a circular reasoned chemcial reaction. It is all made with Big Pharma Industrialzed products that come with their own Data Safety Sheet Hazard warnings. Merely a Scam to sell alternative drugs.

[m_o'n @veil_33]

@Notinjected418 Controlling both sides of a narrative...about every possible problem so called

[m_o'n @veil_33]

@realericmoutsos A strong one does not fight anyone..

[💖🌼Music, Kindness, and Inspiring Stories @Hoainguyen888]

There is something very different about watching Whitney Houston in 1985.🔥🔥

She had not yet become the Whitney Houston that the whole world knew. No massive tours, no stadiums, no legendary ballads, no enormous expectations attached to her name. She was only 22, standing in a television studio in Germany with a microphone in her hand, wearing a leather jacket, a hoodie, and a white headband.

And then she started singing.

What I find most interesting about this performance of How Will I Know is how little she seems to struggle.

The song itself is light, youthful, and almost playful. The rhythm is bright, the melody moves quickly, and the lyrics capture that familiar uncertainty of having a crush on someone: Does he like me? Does he feel the same way? It could easily sound nervous or overly sweet in the wrong hands.

Whitney doesn't sing it that way.

Her voice has an unusual combination of clarity and strength. She doesn't need to push the notes to make them sound powerful. The higher phrases come out cleanly, the pitch stays remarkably stable, and she moves between her chest voice and upper register without making the transitions feel like technical demonstrations.

That is what makes her early performances so fascinating.

You can hear the training, but you don't constantly hear the effort behind the training.

And there is another detail I like even more: she doesn't behave like someone who knows she is about to become famous.

She smiles at the audience. She moves with the beat. She turns toward people standing near the stage. She gives a little gesture here, a playful expression there. Nothing feels excessively rehearsed. She isn't trying to manufacture a “legendary moment.”

She is simply having fun.

That matters.

Because when we look back at famous artists, we often see them through the weight of everything that happened afterward. We know the success that is coming. We know the enormous career, the awards, the expectations, the personal struggles, and the tragedy that would eventually become part of the public story.

But Whitney in this clip doesn't know any of that yet.

She is just a young woman singing a pop song.

And perhaps that is why the footage feels so refreshing.

There is no need to turn her into a symbol of tragedy or perfection. Before all the headlines and expectations, there was simply a remarkable young performer who clearly understood her instrument.

Listen closely to the way she phrases the melody. She doesn't treat every line with the same weight. She knows when to stay light, when to lean into a note, when to release a phrase, and when to let the rhythm carry her forward. Even in a song designed for radio, there is musical judgment happening underneath the apparent effortlessness.

That is the part people sometimes miss when they talk about Whitney only as a “great voice.”

A great voice alone is not enough.

You need control. You need timing. You need phrasing. You need the ability to make difficult things sound ordinary.

Whitney had that ability very early.

And watching her here, I don't think the most interesting question is whether she already knew she was going to become a superstar.

She probably didn't.

The more interesting thing is that, for a few minutes, she didn't need to be one.

She could simply sing.

The world would eventually place an enormous amount of expectation on that voice. But here, in this old television studio, before all of that arrived, we get to see something much simpler: a young Whitney Houston enjoying a song, trusting her technique, connecting with an audience, and sounding completely at home in front of a microphone.

Sometimes the most valuable footage from a great artist isn't the biggest performance.

It's the early one.

The one where you can still see the person before the legend takes over.

[m_o'n @veil_33]

@DimyichStalker @Heroiam_Slava Carreid out with what? Incendiary b o m b s? Cause there are NO nukes..

[Words For You @_Wordsforyou11]

“The highest form of peace is having no desire to be seen, validated or understood by anyone.”

— Epictetus

[m_o'n @veil_33]

@JamieAA_Again @Titian_Redx The paycheck you know...

[m_o'n @veil_33]

@realericmoutsos https://t.co/pKjJLMmAH8

[WhatdoIknow @Earstohearyou]

Among the SOLFEGGIOS is 528Hz - the frequency of "miracles" and LOVE ❤️

SOUND is vibration. Not only do we hear it... we FEEL its energy passing through us.

MUSIC has the power to physiologically CHANGE us - heightening or calming our physical and EMOTIONAL state.

The Solfeggio frequencies work through RESONANCE, helping to REALIGN what has fallen out of balance.

We're drawn to certain music not only because it SOUNDS right...

but because it FEELS right.

[m_o'n @veil_33]

@brain_stimulus Chipped

[Jamie Andrews @JamieAA_Again]

The Medical Establishment are just like the Politicians who fabricate wars. They drum up scare stories about bad invaders that unless you kill them, they will spread and create more. They are creating the problem through fraudulent diagnosis and then injurious "treatment".

[Jamie Andrews @JamieAA_Again]

They scented DDT with a sweet aroma so that Kids would "enjoy" playing in it, said by many to smell like Bubblegum.

A chemical known to cause Neurological Paralysis right at the time of a fake Neurological disease, "Polio", was peaking.

[Andy @andreas_nigbur]

What if there was a lost advanced civilization before us…and we’ve been slowly rediscovering their technology?

[Jamie Andrews @JamieAA_Again]

Why do we get attacked for saying that people shouldn't take known toxic Vitamins/Supplements and Drugs?

We get attacked by 2 types of people either selling the drugs/vitamins in question or people that have been duped into taking them that see it as part of their personality.

[Waken Minds 𓂀 @wakenminds]

Compare this to the sad buildings we erect today.

[Andrew Kaufman MD @AndrewKaufmanMD]

There’s no pill, herb, tincture, or supplement that “heals your body.”

Your body is what does the healing.

The only thing a natural remedy can do is support the process, but it doesn’t replace it.

And that’s what the alternative health space still doesn’t get...

From day one, we're taught to see illness like this:

You have symptoms.

Symptoms are bad.
Make the symptoms disappear.
Hooray... you're "better."

But are you really? Or did you just suppress your body’s attempt to heal itself?

The truth is: healing isn’t always comfortable.

Inflammation, fever, vomiting, diarrhea. These are all ways your body is trying to remove what doesn't belong and repair the damage from whatever we weren’t meant to consume.

So Instead of asking: “What pill do I need to get rid of my symptoms.”

Ask yourself: “How can I get out of the way of my body healing itself.”

Even if you think that you’ve rejected the germ theory narrative, if you still believe every symptom is an enemy that must be suppressed as quickly as possible, then the programming is still there.

The mind control wasn't merely in convincing us that germs are everywhere. It was convincing us that our own body's healing response is the “disease.”