Soy una persona sorda, y no puedo disfrutar de la aclamada @labolanegra, pues no està subtitulada para discapacidad auditiva @eldeseo
Si estoy equivocada, porfavor indiquen donde la puedo ver @elasticafilms@lepacte@fesoca
On this day in 1992, “How Can I Go On,” a duet by Freddie Mercury and Montserrat Caballé, was re-released amid renewed interest in their album “Barcelona” following that year’s Olympic Games. It all began in 1987, when Freddie publicly expressed his admiration for the soprano, and the message reached Montserrat herself.
At a dinner at his home following one of her recitals, Freddie proposed writing a song about Barcelona, his hometown, which would eventually lead to an entire album composed in collaboration with pianist Mike Moran. Three tracks emerged from that collaboration: “Barcelona,” “The Golden Boy,” and “How Can I Go On,” the latter featuring Queen bassist John Deacon as the band’s sole guest.
Freddie and Montserrat had planned to sing “Barcelona” together at the opening ceremony of the 1992 Games, but Mercury’s death in November 1991 prevented that from happening. Montserrat ended up performing the song alongside José Carreras instead, while the BBC chose the song as the theme music for its Olympic coverage.
Terry O’Neill gave us this wonderful photo.
In 1986, Fernando Martin made history with the Portland Trail Blazers as the 1st ever Spanish player in the NBA. A true pioneer who left us way too soon. R I P
La tasca intensa de Pau Casals per ajudar els exiliats republicans surt a la llum gràcies a Una investigació amb el suport del Memorial Democràtic
✍️ Per @PepMartiVall https://t.co/bp2rZ8Avmz
@LaSER: El trabajo del PP en el Senado : solo la comisión sobre RTVE , que no se ha reunido, ha gastado 73.000. De ahí su interés en citar a políticos. No dejéis de informaos sobre este derroche.
After selling out six consecutive shows in Southern California, George Michael celebrated with a backstage party where he ran into two icons who were completely different from one another.
George Harrison, a former Beatle and a central figure in 60s rock, and Little Richard, the pioneer who decades earlier had laid the foundations of Rock and Roll.
The encounter perfectly encapsulated George Michael’s cultural significance at that time. A pop artist capable of bringing together, in the same room, icons from such different generations and genres, all there to celebrate the resounding success of his tour.
For Michael, already established as one of the world’s biggest stars, sharing that moment with two of his own influences represented a symbolic validation within the music industry.
El Senado destina más de 74.000 euros en salarios a una comisión de investigación abierta por el PP que no ha llegado a trabajar
https://t.co/TzSw03qhH4
Por @juliaemece
🚨Andrea Pirlo on Lionel Messi being nominated for the 2026 Ballon d'Or while Cristiano Ronaldo isn't:
🎙️ “At this stage of their careers, you simply cannot compare Messi and Ronaldo. They became different types of players.
Messi has always been a playmaker as much as a goalscorer. He can operate anywhere across the attacking line, drop deeper, create chances, control the tempo and still decide games with goals and assists.
Ronaldo was an explosive winger when he was young. He could create, dribble and score. But later in his career, he became a pure striker, and naturally his involvement in the build-up became less.
Today, Messi can still dictate a game from deeper positions. Ronaldo's main responsibility is finishing.
Defenders know this, so they focus on denying him space inside the box.
That is why, at this age, football naturally favours Messi's style more. And honestly, Messi could play until he is 50 and still find a way to influence games. His understanding of football is simply different."
Hi ha una guerra civil a Calafell: la Guerra de la Petanca 🪩🔥
Qui guanyaran: els residents o els avis "petanqueros"?
🎤 @SanfeNerea
🔗 https://t.co/f65M109Diu