I expected all the losses but the one that I didn't expect was PTR losing
PTR is and was a really service oriented politician imo
Semmaiya vela senjaaru
Those who don't know, please research. His loss is truly a loss for everyone imo
Never ever going to boast about TN & how progressive we r .
Never ever…
Seriously such a shame that even in this early trends this hero guy who knows nothing has been voted to, without even one ounce of ground work…
TN ppl such a shame…
If PTR is loosing, TRB Raaja is loosing, MK Stalin is loosing. This is not their loss.
It is the loss for Tamil Nadu for all the development, schemes, infrastructure they have brought us and made us a top state in all over India in a term especially after a pandemic.
One year from now you will regret this Tamil Nadu. Your will regret making our state a circus.
We just officially entered the BJP Era.
#DMK #TNElectionResults
Hi @airindia my flight AI347 has been rescheduled from 10am to 3:15pm. More than 5 hours and this is the 4th time this same flight has been rescheduled. Now Im not able to cancel the flight too!
The plot of #GOAT offers very many opportunities in which to show emotional interest in its characters. The father-son dynamic, the relationship between Gandhi, Sunil and Kalyan, the Gandhi-Anu conflict… I could go on and on, but the film seems strangely disinterested in any meaningful emotional exploration of these characters.
What it IS interested in is presenting you with easy, momentary joys—which I’d typically expect to see as flavouring. Here though, it’s pretty much the main course. The cameos, the goofing about, the nostalgic callbacks not limited to references to Vijay’s filmography (90s stars fighting, the Mohan casting, etc), the cashing in on the CSK furore…
It’s a film made for the reels generation, it seems. 𝐻𝑒𝑦, 𝑑𝑜 𝑦𝑜𝑢 𝑔𝑒𝑡 𝑡ℎ𝑒 𝑚𝑒𝑎𝑛𝑖𝑛𝑔 𝑜𝑓 𝑡ℎ𝑒 𝑉𝑖𝑗𝑎𝑦-𝑆𝐾 𝑐𝑜𝑛𝑣𝑒𝑟𝑠𝑎𝑡𝑖𝑜𝑛? 𝐻𝑒𝑦, 𝑤ℎ𝑎𝑡 𝑎𝑏𝑜𝑢𝑡 𝑡ℎ𝑒 𝐼𝑙𝑎𝑦𝑎𝑡ℎ𝑎𝑙𝑎𝑝𝑎𝑡ℎ𝑦 𝑐𝑎𝑙𝑙𝑏𝑎𝑐𝑘? 𝐻𝑒𝑦, 𝑑𝑖𝑑 𝑦𝑜𝑢 𝑠𝑒𝑒 𝑡ℎ𝑒 𝑇ℎ𝑢𝑝𝑝𝑎𝑘𝑖 𝑟𝑒𝑓𝑒𝑟𝑒𝑛𝑐𝑒? 𝐻𝑒𝑦, 𝑑𝑖𝑑 𝑦𝑜𝑢 𝑙𝑖𝑘𝑒 𝑡ℎ𝑒 𝑇ℎ𝑒𝑟𝑖 𝑐ℎ𝑒𝑤𝑖𝑛𝑔 𝑔𝑢𝑚 𝑏𝑖𝑡? You know, with contemporary movie-watching being what it is, perhaps what people do seek are these intermittent adrenaline boosts. Perhaps it’s enough that a famous heroine makes an appearance—never mind whether the song itself is placed quite awkwardly.
And it’s a pity really—because for a long time in the first half, Venkat Prabhu brings much joy by grounding the story of this undercover agent in reality and deriving much humour and warmth through it. And yet, in succumbing to perhaps the pressures of playing by the rules of how star-vehicles are created these days, he sacrifices deeper storytelling pleasures for dopamine hits.
This isn’t a ‘VFX’ problem. This is, if you’ll forgive me for going with it, a ‘we-affects’ problem. Are we affected? Are we affected by the dynamics of what’s going on with Gandhi, son, family and friends? No—and sadly, the film doesn’t seem to care about it. This isn’t a cohesive script that is loyal to its story or characters; it isn’t looking inward into its world. Instead, it’s eagerly staring at you, keen and desperate to have you remain connected, even if in parts. If that’s what you seek in cinema…