Puta y el valor del barril de petróleo no llega ni a 75 dólares ….
Mientras la @CompetenciaGT@MEMguatemala
y el resto de entidades gubernamentales en cargadas de fiscalizar, de adorno
The music-review site Pitchfork gave Lana Del Rey's debut album a 5.5 out of 10 in 2012. By the end of 2025, that same album had spent more time on the Billboard 200 than any album by a woman in history: 618 weeks, almost twelve years.
She got there by surviving one of the roughest welcomes in modern pop. When Born to Die came out, critics called her voice fake and her whole image a marketing stunt. Tabloids ran stories saying the record label had manufactured her. The album sold anyway, and finished 2012 as the fifth best-selling record in the world.
Then the same critics turned around. Her 2019 album Norman Fucking Rockwell! scored a 9.4 on Pitchfork, the highest grade they gave any album that year, and the review called her one of America's greatest living songwriters. It was the most-cited album in critics' end-of-year lists for 2019 and earned a nomination for Album of the Year. Rolling Stone now ranks it among the 500 greatest albums ever made.
The fans were there the whole time. "Summertime Sadness," a single off that panned debut, crossed 2 billion Spotify streams in 2025. Born to Die has been somewhere on the chart for almost twelve straight years.
Her mark is all over the artists who came after. Billboard credits her with pulling pop away from loud club music toward the slower, moodier sound that defined the 2010s, and names Lorde, Halsey, Miley Cyrus, and Taylor Swift among the artists she shaped. The Washington Post put her on its list of people who defined the decade. She was the only musician on it. NYU teaches a course on her music.
She has been nominated for 11 Grammys. She has won zero.