William Rose

Novelist: Historical, art, the occult, dream, myth - 'The Freedom of the Villainous', 'The Strange Case of Madeleine Seguin', 'Camille and the Raising of Eros'.

[William Rose @williamrosebook]

My new novel, just published for the new year 2023. 'The Freedom of the Villainous'. Available from Sphinx Books https://t.co/xDi2UEk9di and Amazon https://t.co/WHJrVu2d0P @AeonBooks #HistoricalFiction #twins #occult #art #ancientegypt #Paris #Aphrodite #Tennyson #Mariana

[Art or Other Things @ArtorOtherThing]

Love’s Testament, 1898 by Phoebe Anna Traquair (Irish, 1852–1936)

[Vicky Giavasi @VickyGiavasi]

Walter Crane, #illustration for Book VI of Edmund Spenser's 'The Faerie Queene', 1894

[Enchanted Booklet @dreamerbook]

'Cupid and Psyche' by Kay Nielsen , c. 1913

#illustration #KayNielsen #GreekMythology

[Museum @DailyClassicArt]

Michael Whelan - "The Abyss"

[Laura London @jungianLaura]

#Jung: “The language I speak must be ambiguous, must have two meanings, in order to do justice to the dual aspect of our psychic nature. I strive quite consciously and deliberately for ambiguity of expression, because it is superior to unequivocalness and reflects the nature of life. My whole temperament inclines me to be very unequivocal indeed. That is not difficult, but it would be at the cost of truth. I purposely allow all the overtones and undertones to be heard, partly because they are there anyway, and partly because they give a fuller picture of reality. Unequivocalness makes sense only in establishing facts but not in interpreting them; for ‘meaning’ is not a tautology but always includes more in itself than the concrete object of which it is predicated.”

~C.G. Jung, letter to R.J. Zwi Werblowsky, 17 June 1952, C.G Jung Letters, Vol. 2, p. 70

📷: ullstein bild Dtl. / Getty Images

[𝑨𝒓𝒕 🎨 @_ArtMuseum]

Green frescoes from Pompeii, Italy

[Academia Aesthetics @AcademiaAesthe1]

Nymphs by Gaston Bussiere (1910)

[Ivana @IArtioli]

© David Lynch
R.I.P. David Lynch 🖤

[Vicky Giavasi @VickyGiavasi]

'Witches' Conclave' from the book "The Phynodderree, and other legends of the Isle of Man" (1882)

#illustration #witches

[Elsa💙🩷🩷 @ElsaMc1878]

#BookWormSat
“It was a woman, tall and slender and blinding white-she was the Snow Queen herself.”
– Hans Christian Andersen, The Snow Queen.
🎨Edmund Dulac.

[PmAmTraveller @pmamtraveller]

Edward Eggleston - Reaching for the Moon

[Long Victorian @longvictorian2]

Bright Eyes (1877) by John Everett Millais (English artist, lived 1829–1896). Florence Coleridge wearing a bright red Inverness Cape and an open expression.

[Vicky Giavasi @VickyGiavasi]

'The Hidden Pool' #illustration Flora McLachlan .

[Russell-Cotes @Russell_Cotes]

✨ Merry Christmas from the Russell-Cotes! 🎄✨

It seems only fitting to share this painting, called Anno Domini, which is the largest in our collection! It shows the Holy Family travelling to Egypt shortly after the birth of Jesus.

🖼️ Anno Domini by Edwin Long (1829–1891)

[soli @solisolsoli]

Philosophy // Ideal by Dmitry Kochanovich

[Art or Other Things @ArtorOtherThing]

Antonio Frilli - Sweet dreams, 1892

[Vicky Giavasi @VickyGiavasi]

Midwinter Orison - Andy Kehoe

[The Pre-Raphaelite Podcast @PreRaphPodcast]

A very Merry Christmas to all of our listeners. Thank you all for your support this year. Thank you also to all of our guests who are always so generous with their time and knowledge.

Cheese and port time. See you in 2025 ❤️🌲☃️

[.stuff @vintagestuff4]

Down All Your Streets
1953
James Avati

[Joan Pope @joanpopejoan]

Christmas by Hugo Höppener (Fidus), c. 1910