@presidatv Venha e traga o robozão para marcar o milésimo gol em cima do inter de Limeira às 17h30 de um domingo na Neo química arena
Hahaha cinema demais !!!
"LeBron James vai anunciar sua decisão hoje"
"LeBron James vai anunciar a decisão amanhã"
"Não tenho data pra LeBron James anunciar uma decisão"
EU NÃO AGUENTO MAIS 😭😭😭
🔥 Gaban in Episode 1170 is actually insane!
That presence, that power, that laugh… Roger Pirates legend for a reason 💀
This edit captured the heat perfectly!
Nobody has ever made the dark feel as real as old Disney did.
In these films the night isn't an absence of light. It's a color, and someone mixed it by hand…
Disney had its own paint laboratory, built by a woman named Mary Weiser, the first of its kind in animation. Its job was to invent shades that did not exist yet. In the early thirties, when the studio was still making shorts, there were around eighty shades on the shelves. By the time they finished Snow White there were fifteen hundred.
Every one of them went on by hand, cel by cel, and each cel needed hours to dry before it could be photographed.
The Ink and Paint department was almost entirely women. According to the Walt Disney Family Museum, the paints were sometimes named after them, and to have a color carry your name was considered an honour.
So the dark of Bambi's forest, the lamplight in Geppetto's workshop, the blue at Cinderella's attic window: none of it is a filter or a setting or a dimmer turned down. Each is a specific colour that a specific person mixed in a jar, and some of those jars had her name on the label.
That is why these scenes still feel more alive than anything made since. We went from hands, to computers, to AI, and at every step there is a little less of the person left in it…
The author Joanna Maciejewska said it better than anyone: "I want AI to do my laundry and dishes so that I can do art and writing, not for AI to do my art and writing so that I can do my laundry and dishes."