Nathan Fielder’s Magnum Opus. It feels like everything he ever made was just practice for meeting Elizabeth Holmes and her husband.
The first half is an extended Nathan For You episode. The second half spirals into something unlike anything I’ve ever seen before.
tomorrow at 12:45 I’m watching Digger again (last chance in IMAX) & then a 3pm showing of You Can See Everything 😬the math works when accounting for previews, but just barely
watched the 20th anniversary remastered Pan’s Labyrinth in the theater & I had to stay behind after the credits bc I got emotional at the end? Even though I knew the story? Maybe it’s bc I’m older now, or the theater experience/enhanced richness & depth of the restoration
when I saw GDT speak at SDCC this year he talked about what the ending meant to him & what stuck with me & resonated after watching the film yesterday is this: “They tell us what they think we are - but we KNOW what we are.”