I just think De Palma would’ve made a far more interesting DISCLOSURE DAY — and you might argue, that between SNAKE EYES / REDACTED / MISSION TO MARS, he already has!
@TheDimmeh@tuvya68 Worth also noting the movie was, by and large, complete by around May 2020 — picture was locked pretty soon after Principle ready for release in Spring (which was then delayed by COVID). There were no reshoots.
@TheDimmeh@tuvya68 Worked on Prod. Was nanobots on every graphic (I ran screen graphics — lots of lab stuff with the little nanos swirling around in vats) and in dialog pre-COVID. I even have a nanobot capsule from the lab set on my shelf!
Anthony Head will be remembered for any number of great roles but I want to make special mention of his work in Cabin Pressure, especially his wonderful sparring with Roger Allam
https://t.co/ZOPXdYdoYm
As somebody who has been forced to use AI video generation tools by <REDACTED MAJOR MEDIA CORPORATION HERE>, it’s going to be impossible to adopt as a central tool, largely because it is IMPOSSIBLE to budget with. How many dicerolls will it take to achieve your brief? Who knows!
I don't really think generative AI is going to make the economics or practicalities of film production any less burdensome outside of maybe automating certain aspects of VFX work (and of course, w/o regulation AI will become another lever for VFX worker exploitation)
Like, hey what if very carefully arranged flashes of red, blue, green, pink and white were actually all the same smeary brown? That must have been what Leone intended, hey
@nw3@spqr_sulla No diver “kicks down”… if you are adequately weighted you simply take the air out of your suit and BCD and gently sink. If anything you might kick to descend slower to allow smoother equalisation.
I fit a practical mini-projector and video processor inside this prop, and projected the Petrova line sequence onto medium density rear projection film on the lens. This way we could get the entire practical effect in-camera, and get that beautiful light across RG’s face.
프로젝트 헤일메리에서 페트로바선 적외선을 관측하는 ‘페트로바스코프’의 디자인. 마치 SLR 렌즈의 뒷면을 들여다보는 느낌을 주면 좋겠다고 생각해, 카메라 렌즈 특유의 기계적 디테일과 아날로그적인 조작 디테일(ex: 질감이 살아있는 널링, 조리개 값, 초점 조절 링 등)을 결합했다고 한다.