Enjoyed thinking through some questions in "The Northman," a film that "presents less as premodern than antimodern — as a reactionary rejection of the aesthetic and imaginative terms of modernity"
with @lareviewofbooks
https://t.co/Hyz9zmo3mw
considering the trauma narrative and remembering Frantz Fanon, who located individual and existential trauma within a historical, material, and colonial framework and demanded revolutionary action for collective liberation—a psychoanalytic impulse with postcolonial implications
"In attempting to 'summon the shadows of ages past,' 'The Northman' instead loses itself in them." Wilson Taylor breaks down the pre-modern in Robert Eggers's "The Northman." https://t.co/wN6xkXJy4o
Enjoyed thinking through some questions in "The Northman," a film that "presents less as premodern than antimodern — as a reactionary rejection of the aesthetic and imaginative terms of modernity"
with @lareviewofbooks
https://t.co/Hyz9zmo3mw
"If the pre-modern irrupts into the consciousness of Prince Hamlet — and of 'Hamlet' — in the form of the slain father’s ghost, 'The Northman' wholly embraces its pre-modern urge." Wilson Taylor analyzes the pre-modern in Robert Eggers’s “The Northman.” https://t.co/mTQQxXmkBC
wrote about cultural nostalgia, the antimodern impulse in "The Northman" and in ourselves, and "the dangerous myths buried beneath the treacherous landscapes of the (late) modern"
check it out at @LAReviewofBooks
https://t.co/Hyz9zmo3mw
proud to have come by my bad Kant takes honestly—
struggling through Critique in the library for days before gasping out a "short response" that comes back, a week later, with just brutal margin notes and an emphatic encouragement to revise
remembering for no reason how Ishmael imagines that the whaleheads suspended from either side of the Pequod to be Locke and Kant:
"Oh, ye foolish! throw all these thunder-heads overboard, and then you will float light and right."