MJ Wats0n

[Jota @jota_snchez]

Shi Heng Yi es maestro Shaolin de 35ª generación y lleva 30 años entrenando la mente y el cuerpo.

Reveló los 5 obstáculos que te impiden avanzar en la vida.

1) Deseo sensual: persigues lo que te da placer y pierdes el camino.

[Doc. Bruno Porzio @Br1Porzio]

Increíble cantaban “Video Kill the Radio Star” el video ó MTV murió el año pasado y la Radio sigue y muy vigente

[LaVozGalactica @Lavozgalactica]

🚨 ÚLTIMA HORA: Se acaba de filtrar un penalti no pitado a Inglaterra en el Mundial de 2026.

La FIFA y Federación Argentina están tirando las cuentas que lo publican.

[Porfirio Díaz Mori @DonPorfirioDiaz]

Hace setecientos años, mientras Londres, París y Madrid tiraban sus desechos a los ríos de los que también bebían —y morían de cólera por miles—, una ciudad indígena del otro lado del mundo ya había resuelto el agua limpia. Esa ciudad era Tenochtitlan.

Construida sobre un lago que mezclaba agua salada y dulce, levantó un dique de más de dieciséis kilómetros para separarlas, además de acueductos con agua potable, canales navegables y tuberías de cerámica para drenar. Todo a mano, sin hierro, sin rueda, sin animales de carga. La próxima vez que alguien diga que la civilización llegó de Europa, cuéntele de esta ciudad. ¿Lo sabía? Escríbalo aquí abajo.

[Juana Peña @Chris_Montz]

La música cubana como parte del soundtrack de ‘La Vérité’, película franco-italiana del año 1960, dirigida por Henri-Georges Clouzot y protagonizada por la célebre actriz francesa Brigitte Bardot. La canción es el cha cha chá ‘Yo tengo una muñeca’, que popularizó la Orquesta Aragón, en esta ocasión ejecutada por el mexicano Xavier Michell y su Quinteto, que además interpretaron otras piezas en el filme, como ‘El Maletero’, entre otras. Una muestra de hasta dónde llegó la música cubana durante su época de mayor expansión internacional.

[🌻Music 🎶🎻🎷 @khalythai]

One of the best written songs of the last 2 decades and this is the voice of an angel

[Derroiciones Bilbao @derbilbao]

Calypso, en el bodrio de Nolan, es una psicoterapeuta que a base de medicación y 7 años de sesiones logra que Ulises supere el trauma de la guerra y entonces lo manda volver. Nada que ver.

Muy interesante el análisis que hace Gonzalo de La Odisea aquí: https://t.co/gVdXqi7ZiU

[MJ Wats0n @wingrgg]

@melgibso4 A

[MILAN DEPRÊ @milandepree]

Ver Maldini chorando no funeral de Franco Baresi é entender que algumas conexões vão muito além do futebol.

Juntos, formaram a maior dupla de defensores da história. Os títulos impressionam, mas a amizade, a liderança e o amor ao Milan os tornaram imortais.

Baresi eterno ♾️

[Alfredo Duro @alfredoduro1]

La historia del fútbol no olvidará jamás el mayor atraco perpetrado en estos tiempos. El robo de Argentina y la FIFA a Egipto para no caer eliminados en el mundial después de una poesía al gol como esta!!!!

[Las Cloacas del Sistema @LCDS_2]

CIUDADANO KANE (1941).

Orson Welles expone cómo la oligarquía monopoliza la "verdad" mediante el control mediático para manipular a la clase trabajadora.

Kane muere ahogado en su mausoleo imperialista, confirmando que el capital extremo solo compra alienación y miseria moral.

[Las Cloacas del Sistema @LCDS_2]

Idiocracia (2006).

Una película que está volviéndose realidad ante nuestros ojos.

Una profecía escalofriante sobre el destino que nos espera como humanidad.

[Jhonf Fonseca @Jhonffonseca]

La número 1 del mundo en el tenis femenino, Aryna Sabalenka, lanza una declaración demoledora y sin filtros: «Es vital proteger la equidad. Biológicamente, los hombres son mucho más fuertes que las mujeres. No es justo. No es igualdad. No es deporte femenino si dejamos que hombres biológicos compitan contra nosotras». Se pone del lado de Sophie Cunningham y lanza un mensaje claro: las mujeres no vamos a seguir callándonos mientras nos roban nuestros títulos, podios y oportunidades.

[Collins o. @CollinsOmo30163]

Types of footings in foundation, explained.

[Pablo Giralt @giraltpablo]

Impresionante despedida a Franco Baresi en Milán.

El adiós a una LEYENDA del fútbol italiano 👏🇮🇹

❤️🥺 Realmente conmovedor.

[Architecture Presentation @arcpresentation]

More than a decorative element, the arbor was a masterpiece of medieval engineering. It transformed European architecture and allowed some of the tallest and brightest buildings in the world to be built for centuries, many of which continue to defy time nearly 900 years later.

[Alain Astruc @alainastruc]

Christopher Nolan had to go to China for us to finally have a pertinent interview. He answers honestly, and that honours him, allowing us, I think, to close the debate.

His attitude is mostly one of arrogance.

The gods. His ideas about how the Greeks viewed their gods are simplistic and typical of a kind of scientific arrogance that thinks religion was there simply to answer what science could not. Entirely wrong.

Xenia. His version of Zeus’s law is absolutely a vision informed by Christianity and the Golden Rule, as if the Greeks had no morality and were waiting for Christianity to educate them, again.

Guilt. Again, Nolan treats the absence of guilt and atonement as something needing to be fixed by Christianity or post-Christian liberal guilt, as if the Greeks were too stupid to have their own set of morals.

Greatness. Maybe the most frightening part. For him, in a democracy, the great man has to be humiliated in some way and atone for his greatness, at the risk of being shunned by others. An awful message for all people of great ability: do not be yourselves, act like NPCs.

Odysseus. He is not allowed to be Odysseus. He is not an exceptionally clever and complex human being, but the hero of a boomer film about American veterans, a decent dad who was dragged against his will into a dirty war.

Hollywood. Nolan clearly states that the audiovisual language of the world is that of Hollywood, something to which I am strongly opposed, obviously.

Critics. Again, Nolan takes people for idiots and thinks they criticise his films because they recognise tropes. People at this level of analysis are usually his own fans. The distinction he makes between professional and amateur critics shows clearly that he should get an email address and a cell phone and start realising that we are no longer in 1985.

Bronze Age collapse. I am not a specialist, but it is not difficult to see that he simply put the structure of Oppenheimer and the atomic bomb onto Odysseus and the Trojan Horse. It makes for a particularly sad film.

What he did was adapt the story beats and the characters into a pure Hollywood Nolan film.

He made an adaptation of The Odyssey that ultimately denies the universe of The Odyssey. He refuses to immerse us in the strangeness of that ancient world. Federico Fellini adapted the Satyricon as science fiction, searching for a cinematic equivalent to the strangeness of the ancient world.

Nolan chose to do the exact opposite. He forced Antiquity to conform to Hollywood tropes and to his own obsessions. The result is a completely Nolanian film: grey and beige, falsely complex, arrogant, sad, humourless, filled with empty display.

Thank you @ZhugeYY for this great questions.

[Creative Deduction @CreativeDeduct]

In 1930, the Spanish philosopher José Ortega y Gasset published The Revolt of the Masses, a book that still feels uncomfortably prophetic. His central target was not the poor or the working class, but a new kind of human being he called the “mass man”.

The mass man, Ortega argued, is defined by attitude rather than income. He is the ordinary person who is perfectly satisfied with himself, demands nothing higher of his own character or intellect, and yet insists that his mediocrity be treated as a right. He does not defer to excellence, competence, or higher standards. He regards them with suspicion or resentment. What previous ages saw as the privilege of the few - political influence, cultural authority, the right to shape society - the mass man now claims as his due, without any corresponding effort to rise above the average.

Ortega believed this type of person had been produced by the very success of modern civilisation. Rising living standards, mass education, and liberal institutions had given ordinary people unprecedented power and comfort. But they had not produced a corresponding sense of responsibility or humility before higher achievements. The result was a revolt: the mass man refused to accept the authority of superior knowledge, culture, or character. He demanded that everything be brought down to his level.

The danger, Ortega warned, was that a civilisation cannot survive if its central actors no longer respect the standards that made it possible. When the average begins to dominate without aspiring to anything beyond itself, excellence is undermined, institutions decay, and politics becomes an expression of resentment rather than responsibility.

Ortega’s diagnosis remains unsettling because it is not a complaint about poverty or exclusion. It is a warning about self-satisfied mediocrity armed with power.

[Bilim Dünyası @dunyasalbilim]

İşte mimaride geometrinin kullanılmasının nedeni.

[Lente Sin Filtros @lentesinfiltros]

🚨 ¡POLÉMICA EN LA WNBA! SOPHIE CUNNINGHAM SE OPONE A LA INCLUSIÓN DE ATLETAS TRANS EN EL BALONCESTO FEMENINO 📉🇺🇸🏀
Debate deportivo. Sophie Cunningham, jugadora de Indiana Fever, se manifestó en contra de la participación de mujeres transgénero en el baloncesto femenino. Sus declaraciones generaron protestas y rechazo de sectores de la afición.
#LenteSinFiltros #WNBA #SophieCunningham #IndianaFever #Deportes