Jason @wngrqng1 - Twitter Profile

wngrqng1 retweeted

노노아카이브

@nono_ai_archive

9 days ago

키치한 페이퍼 오브제 AI로 연출할 때 알아놓으면 좋을 키워드 3가지 1.O링 바인더 콜라주 2.플로킹 다이컷 태그 3.오픈 엔벨로프 리빌

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wngrqng1 retweeted

小小东

@xiaoxiaodong

13 days ago

GPT2 x 明亮 x 雾面 x 美学提示词 x VOL.072 十一期间酢浆草，种植了包三角梅也开了不少这种心情下，更喜欢这组风格了这种朦胧空气干让人心情很好。提示词+skills 见项目地址： https://t.co/wtc1ryrcjz

xiaoxiaodong's tweet photo. GPT2 x 明亮 x 雾面 x 美学提示词 x VOL.072

十一期间酢浆草，种植了包

三角梅也开了不少
这种心情下，更喜欢这组风格了

这种朦胧空气干让人心情很好。

提示词+skills 见项目地址：
https://t.co/wtc1ryrcjz

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wngrqng1 retweeted

All About Argentina 🛎🇦🇷

@AlbicelesteTalk

16 days ago

“THE LAST TANGO.” ❤️ What a video from TyC Sports for Lionel Messi. 🥹🫶

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wngrqng1 retweeted

Hansi’s Barça 🇩🇪 (fan)

@Flickxball

15 days ago

Lionel Messi - Albiceleste journey

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Who to follow

Ｍa27まぶさん

@hQeDAdLNjhiVS9h

一時期アカウントを乗っ取られたけど、懲りずに復活している。

赤い光弾

@11155648

2012年からトラックドライバー。一日でも早く、政権与党自民党に終止符を打ちたい！公明党が連立離脱した今こそ、自民党を崩壊させる時です！しかし、余りにも有権者がアホすぎて絶望してます😩 早いとこ趣味垢に戻りたい😢 気になる事は、ドンドン、いいね👍リツイート🔃します‼️

wngrqng1 retweeted

Ziha

@Ziha_ai

16 days ago

GPT Image 2.5 on ChatGPT Prompt: Create a premium 3:4 vertical editorial poster using the uploaded photo as the sole reference. OVERALL FORMAT The image must use a strict 3:4 vertical composition divided horizontally into two equal regions with an exact 1:1 height ratio. Each region occupies exactly 50% of the total image height. UPPER REGION: ORIGINAL PHOTO Use the original uploaded photo directly as the upper 50% of the composition. Preserve the subject's exact identity, facial features, body structure, proportions, posture, perspective, clothing, materials, lighting, and original color atmosphere. Do not regenerate, reshape, distort, stretch, beautify, or alter the subject. Only apply subtle high-end color grading, image purification, refined tonal balance, and gentle detail enhancement, giving the image the refined texture of an art magazine or exhibition photograph. The background may be moderately expanded to fit the 3:4 composition, but the subject must remain completely unchanged in structure, posture, proportions, and core composition. LOWER REGION: MINIMALIST INK WASH RECONSTRUCTION Reconstruct the same subject and scene as a minimalist contemporary ink wash artwork. First identify and preserve the most recognizable elements of the original image, including silhouette, outline, structure, perspective, movement, visual rhythm, spatial relationship, and overall atmosphere. Do not directly copy photographic details. Do not create a realistic reproduction. Instead, translate the original scene into an artistic ink wash interpretation that preserves its recognizable essence and visual relationship with the upper photograph. Use a milky white, warm white, or natural paper-white base with delicate paper fibers and subtle organic texture. Build the artwork using expressive ink wash techniques including dry and wet brushwork, flying white, ink seepage, ink accumulation, soft diffusion, broken edges, layered washes, and intentional white space. Remove secondary details. Keep only the most distinctive contours, structural transitions, spatial layers, movement, and atmosphere. The lower artwork should feel summarized, refined, poetic, and intentionally incomplete rather than realistically detailed. INK AND COLOR Use black, charcoal gray, soft gray, and diluted ink tones as the dominant palette. Create clear tonal layering with varied ink density, pressure, rhythm, and transparency. Extract only a few emotionally important colors from the original image and reinterpret them as small areas of artistic staining or pigment. Colors may transform naturally into blue-gray, distant blue, soft gold, warm yellow, vermilion red, light cyan, or similar restrained tones. Do not mechanically reproduce the original color values. Ink and negative space must remain dominant. Avoid muddy brown, dull vintage tones, heavy coloring, excessive decoration, or vulgar color combinations. COMPOSITION AND NEGATIVE SPACE The main reconstructed subject should occupy approximately 30% to 45% of the lower half. Reserve the remaining area for generous negative space. The artwork may be asymmetrically positioned, partially framed, suspended, slightly cropped, or offset. Maintain strong asymmetrical balance and a sophisticated editorial composition. The edges of the ink artwork should gradually loosen, fragment, fade, scatter, and disappear into the paper, creating a natural sense of breathing space. Negative space must function as an intentional visual element, not as empty unused space. Reduce information rather than filling the entire lower region. The final lower section should resemble a refined ink seal, contemporary Eastern material study, or museum-quality oriental artwork displayed on a clean editorial page. TEXT Use very little text. Do not add preset titles, numbers, labels, or template typography. If appropriate, extract only a few meaningful words or a very short phrase related to the subject, location, time, action, emotion, or metaphor. Place the text quietly within the negative space or near the edge of the artwork. Typography must remain subtle, sparse, elegant, and secondary to the visual composition. OVERALL AESTHETIC Contemporary Eastern aesthetics. Minimalist ink wash reconstruction. Premium art magazine presentation. Exhibition photography quality. Large-scale intentional negative space. Subtle editorial typography. Small-scale seal-like visual focus. Quiet, restrained, poetic atmosphere. Elegant asymmetrical composition. Refined paper texture. Museum-quality visual finish. Avoid complex backgrounds, excessive photographic details, realistic duplication, decorative clutter, excessive text, rigid template layouts, filled compositions, heavy colors, old-fashioned brown tones, and unnecessary visual elements.