Piotr Szulkin’s Apocalypse Tetralogy
Science fiction was originally devised as a kind of disguise – a medium used to warn us about emerging technologies and future worlds – or to critique contemporary civilization. These SF works, born in Poland under the socialist regime before democratization, are neither space operas nor fantasies. Instead, their introspective “cries” of the time are embedded within in layered, polyphonic form. Now is the moment to rediscover the authentic dystopian SF films made over 40 years ago by director Piotr Szulkin. What awaits us is the same excitement and sense of discovery as opening a time capsule from the past “era.” And for people living in today’s increasingly occluded Japan, those “cries” will surely resonate powerfully across time. Watch them. This is the “cry” of science fiction.
@KapitanLisowski@Maciej_Korowaj Żeby nie było - chodziłem do szkoły im Obrońców Westerplatte. Regularnym gościem bywał św. kapral (chyba) Stanisła Trela. Westerplatczyk (1917-1994). Dla mnie jako dzieciaka zafascynowanego historią zawsze było to niebywałe przeżycie. Chwała Bohaterom!
It's here!🎇 Engines roar🚙, the dust rises🏜️, and you know you will have an awful lot of work!🧑🔧
Take up the challenge and become the best offroad mechanic around!🦾
Get the game at -15% off launch discount for a limited time: https://t.co/tzf0zzQv2T
#offroad#gaming#pcgame
GDWC 2022 Awards are happening on April 22nd 🎉
We're excited to announce the Jury Choice finalists for the Studio category 🎮
These games were voted by our jury and winners will be announced during the Awards 🏆
Link in bio for tickets and more info!
we're nominated for the best Jury Choice Studio category of 2022 @TheGDWC 😃🐶🚀🌖The winner will be announced on April 22nd so keep your fingers crossed ✊#IndieGame#PuzzlePlatformer#SpaceTail