Wrong Gallery Birmingham

[Wrong Gallery Birmingham @wrong_gallery]

@Plantagenet1455 The unicorn has survived every reinvention: virgin’s prize, Christ allegory, narwhal-tusk scam, pencil case. In my current show it ends up shrouded in a cellar, and one critic argues AI is the unicorn of our era. Worth a read: https://t.co/EskLpd25H9

[Wrong Gallery Birmingham @wrong_gallery]

Moreau, the Decadents, a dead unicorn in the cellar and AI as the new myth. @uobarthistory's critical appraisal of A Sacred Theatre reads the house deeper than most dare to go. Final weekend: 15 to 18 Oct, Moseley. Not for everyone.
https://t.co/cvVEtJ0r4F

[Wrong Gallery Birmingham @wrong_gallery]

@ArtorOtherThing Moreau’s real legacy might be his house as much as his pupils: a studio turned into one continuous work. I’ve spent five years doing my own bastard version in a Victorian house in Birmingham. The Golovine reviewed it this week: https://t.co/cvVEtJ0r4F

[Wrong Gallery Birmingham @wrong_gallery]

@whistlingpetals The Apparition is the painting Des Esseintes obsesses over in À rebours. A Birmingham art historian just used exactly that link to read my house-gallery in Moseley, Moreau’s house as the model, a dead unicorn in the cellar. Review here: https://t.co/cvVEtJ0YUd

[Wrong Gallery Birmingham @wrong_gallery]

Moreau, the Decadents, a dead unicorn in the cellar and AI as the new myth. @uobarthistory's critical appraisal of A Sacred Theatre reads the house deeper than most dare to go. Final weekend: 15 to 18 Oct, Moseley. Not for everyone.
https://t.co/cvVEtJ0r4F

[Deborah Harries @deborahharries]

Fantastic Fred Fabre - one Victorian house in Moseley, five levels of incredible art exhibition and gallery - £5 entry until 18 October

The Wrong Gallery Birmingham | art gallery | Birmingham, UK https://t.co/TWSHNUScpu

[Wrong Gallery Birmingham @wrong_gallery]

The louder the voice, the quieter the #artwork

Ego is no longer a side effect of art. It is a currency.
#arthistory #artist

https://t.co/nEOEBuZJ7x

[Wrong Gallery Birmingham @wrong_gallery]

When belief collapses, myths do not disappear they adapt, and the unicorn is among the clearest examples of this survival strategy. #symbolism #art #Unicorn #licorne

https://t.co/TgffWhC6Rj

[Wrong Gallery Birmingham @wrong_gallery]

Art Made for Circulation

#Exposure Is Not a Reason to Make #Art

https://t.co/hRI5FwRYgs

[Wrong Gallery Birmingham @wrong_gallery]

Disappearing Politely

Immersive Exhibition @the_wrong_gallery
19 Feb - 19 March -
Designed as an emotionally immersive environment, it is best experienced in small numbers.

Invitation and Reservation only (£5 donation pp )

[Wrong Gallery Birmingham @wrong_gallery]

Art doesn’t disappear under censorship, but under accumulation.
A short reflection on art, visibility and attention.
#artist #callforentry

https://t.co/AsEMKH7PtX

[Wrong Gallery Birmingham @wrong_gallery]

Why Art That Sticks Its Nose Into Politics Still Has a Place:
https://t.co/9rsgdGCBqN

[Wrong Gallery Birmingham @wrong_gallery]

https://t.co/4k9v74RHxa

[Wrong Gallery Birmingham @wrong_gallery]

Inside Coventry’s LTB Showrooms @LtbShowrooms — a vibrant, independent art space redefining what grassroots creativity can be. Freedom, community, and art without gatekeepers.
#grassroots #Gatekeepers #Coventry

[Wrong Gallery Birmingham @wrong_gallery]

Parler l’Amour (Speaking Love) — a five-level immersive exhibition at The Wrong Gallery, bringing together five artists in a single narrative environment.
This short film narrated by Harry Lubkowski, co-editor of The Golovine.
#immersiveart #birminghamartist #fredfabre

[Wrong Gallery Birmingham @wrong_gallery]

@ruth_millington Beautifully observed, your review captures that sense of in-between space in Gardiner’s work where memory, place, and perception blur.

[Wrong Gallery Birmingham @wrong_gallery]

Salon Synthetic - Tuesday 4 November (7pm) - Author Soul Miles @soul_miles presents And Salt the Earth Behind, a confrontation with Eugenics as an archival and designerly practice.
Miles exposes the synthetic dreams of purity that still haunt our technologies.
#wronggallery #ART

[Wrong Gallery Birmingham @wrong_gallery]

Parler L’Amour (Speaking Love). The doors have closed, but the works are still listening. Some conversations happen inside; others at the threshold. Both matter.

[Wrong Gallery Birmingham @wrong_gallery]

28 October​, Curatorial Salon (closed event) Hosted by Harry Lubkowski( @i_lub_life / @uobarthistory )in collaboration with the Department of Art History, Curating and Visual Studies at The University of Birmingham.
#artsalon #wronggallery

[Wrong Gallery Birmingham @wrong_gallery]

Salon Reframed The Wrong Gallery 18 October (7pm) Harry Lubkowski , co-editor of The Golovine, hosts an intimate evening inviting visitors to revisit the exhibition Parler L’Amour. It explores how art’s meaning transforms when it is viewed, discussed, and experienced anew.

[Wrong Gallery Birmingham @wrong_gallery]

@arthistorynews @nationaltrust https://t.co/reyzkWIsPq

[Wrong Gallery Birmingham @wrong_gallery]

Overcoming the accessibility challenges of The Wrong Gallery’s five levels through a drone-based exploration with film student Laiba.
#accessibility