syamir

[syamir @wtsyamir]

hello, i am about to ord from national service and am offering my tuition services;

pri sch (eng, math, sci)
$25/h

sec sch (eng, math, amath, chem, lit)
$30/h

pls help to rt and drop me a dm for more details,, thank youu 🤩

[🎠J Click @JmoonnJ]

For ten years in this industry, nothing could break her enough to make her cry. She has always been one of the strongest people I’ve ever seen. But the thought of BLACKPINK ending was different, it touched the one place she could never protect herself from, because she genuinely loved it.

She loved BLACKPINK. She loved BLINKs. She loved her members. She loved every memory, every stage, every moment they created together. And somehow, through all the mistreatment, the criticism, and everything she had to endure from YG and BLINKs, she still kept loving it.

Your journey is only beginning, Jisoo. BLACKPINK is not your greatest achievement. YOU are. Everything you built, everything you survived, and everything you’re still becoming is bigger than any group or chapter of your career.

You are loved, Jisoo. Always. 🤍 @officialBLISSOO

[Anish Moonka @anishmoonka]

Netflix never owned Emily in Paris. They've been renting it from Paramount since 2020. Now Paramount is buying Warner Bros to take on Netflix directly, so Netflix is killing the show.

Emily in Paris belongs to Paramount Television Studios, the company behind CBS, MTV, and Nickelodeon. Netflix pays Paramount a fee for each season they stream on the platform. The show launched in October 2020. Netflix has never produced a single episode of it.

Each episode costs $3 to $5 million to film. A 10-episode season runs about $40 million just to make, before any of the contract bonuses kick in. Lily Collins reportedly takes home $300,000 per episode plus a producer cut. France refunds 30% of money spent filming there (capped at €30 million per show, around $35 million), which is why the show films entirely in Europe.

The contract terms get worse for Netflix the longer a show runs. Bonus payments to the creator and star stay small at first. After season 3 they spike, sometimes from a few hundred thousand to millions a year. By season 6, the show is at peak cost. Shows Netflix doesn't own cost about 20% more than the ones it makes itself.

The audience also started shrinking. Season 4 opened to 19.9 million views in its first week. Season 5 came in at 13.5 million, a 32% drop. The full season ran 20.5% behind the one before. Still a hit by streaming standards, but not a hit big enough to justify what season 6 was going to cost.

The rival kept getting bigger too. Paramount-Skydance finished merging in August 2025. In February this year, Paramount outbid Netflix to buy Warner Bros Discovery for $110 billion. Netflix walked away with a $2.8 billion breakup payment from Paramount as a consolation prize. Now Netflix is sending licensing money every quarter to the company that just took Warner Bros out from under them.

Two other Netflix hits got the same treatment in May. The Lincoln Lawyer (owned by A+E Studios) is ending after season 5. The Night Agent (owned by Sony Pictures Television) is ending after season 4. Three of the platform's most-watched shows wrapped up inside the same three weeks, and Netflix doesn't own a frame of any of them.

The footprint Emily in Paris built off-screen goes way past streaming numbers. France's film agency found 38% of foreign tourists in Paris said the show was one reason they came. Luxury brands paid €500,000 to €1 million each to get written into the storyline. Season 4 had 480 brands and 25,000 pieces of clothing across the costumes. Paramount kept the marketing machine it built.

When the licensing deal runs out, Paramount keeps the show. Netflix is left with the subscribers it already brought in, and one last expensive season to pay for.

[Tracklist @tracklist]

JISOO, do BLACKPINK, revelou em live que só foi entrevistada em Inglês no #MetGala porque entrou na fila errada. 🗣️

“Quando eu cheguei no Met Gala, eu tinha que entrar sozinha. Aí, quando entrei e fui andando por lá, tinha uma escada ou algo assim. Então eu tava indo em direção à entrada e alguém falou: ‘Ah, vem por aqui, desse lado’. Eu fiquei tipo: ‘Hã?’ e segui. Só que, de repente, entrei numa fila… e era a fila de entrevistas. Então eu fiquei: ‘O quê? Eu?’. Acabei fazendo uma entrevista do nada e fiquei super nervosa. Enfim, entrei na fila errada sem querer e acabei dando entrevista, mas foi divertido. Todo mundo foi muito gentil comigo e me guiou super bem. Quando entrei, falei pras meninas: ‘Gente, me arrastaram pra fazer entrevista também’. E elas ficaram: ‘Você entrou naquela fila?’. E eu: ‘Sim! Vocês deviam ter me salvado e me tirado de lá. Eu fiquei numa fila estranha e fiz entrevista’. Fiquei falando isso pras meninas enquanto estávamos lá dentro.”

[syamir @wtsyamir]

@avataraangmovie @xdownloaderbot download please

[𝜗𝜚 @baejeanies]

hybe genuinely believed their groups would be able to pull this off, that's crazy

[aetridem @aetridem]

when you gather a bunch of chipmunks and tell them they're a choir

[@[email protected] @Imani_Barbarin]

Be fr

[rosie @roseannepics]

rosé and cl

[NO CONTEXT HUMANS @HumansNoContext]

The Japanese game show where contestants serve tea in a tilted restaurant 😭

[PopCulture @notgwendalupe]

it's 1 year since this diva did this interview

[Bindu Reddy @bindureddy]

All of the billions spent on AI innovation just so we can get these beautiful cat videos

[Halal Nation @HalalNation_]

Allah is the best of planners.

Islam will keep growing all over the world 🌍

[Punch Cat @PunchingCat]

the little belly 🥹

[vids that go hard @vidsthatgohard]

The Dora movie is hilarious for this 😭😭

[ミ☆ @bIinksupreme]

moments from blackpink’s 8th anniversary live for anyone that missed it

— a thread

[☔ @Whotfismick]

me as soon as i clock in at work

[syamir @wtsyamir]

HAHAHAHAHHAAHHA WHAT IN THE FLYING FK IS THIS HAHHAHAHAHAHAHAHAHAHA

[Grey's Anatomy @GreysABC]

Nearly 9 in 10 #LGBTQ+ students experience verbal harassment in school. On 04/23, students will participate in @GLSEN's #DayofSilence to show their support for LGBTQ+ students and their right to safety at school.

This silent video supports their action—join us & make your own.

[EDDIE CHENG @ecomEddie]

Look at this guy.

He’s a millionaire who went homeless as a social experiment.

His goal? Prove that anyone can make $1M in 12 months with just a phone.

The story of Mike Black and what happened next: