Dari ketagih minum Neslo hinggalah ke rahsia di sebalik lagu dan album LACE UP, kami menemu bual rock @LiSA_OLiVE secara eksklusif sempena konsert solonya di KL.
Beliau juga sempat sampaikan janji manis untuk kembali ke Malaysia 🇲🇾
https://t.co/NTeEqt1EwZ
Kuala Lumpurーーーー!!!
Saya sangat gembira hari ini!
Semua orang suara sangat hebat!
Saya sayang Malaysia!
Saya janji… Saya akan kembali!
Jumpa lagi! Saya janji😏☝️
Terima kasih,Lumpurーーーー!!!Terima kasih,Malaysia!🫶
#LiSA_ASiATOUR2026
Next in Taipeiーーー!!
Finaly Taipei Arena!!
The LiSAnimate campaign currently being held at Animate stores across Japan is also taking place at Animate Kuala Lumpur😭
Thank you so much for your support! ♥️♥️♥️♥️
#リサニメイト#LiSAnimate#KualaLumpur#Malaysia#LiSA15th
A big thank you to LiSA for visiting Malaysia!
LiSA's album and concert merchandise are still available so be sure to check them out!
We're also proudly displaying LiSA's autographed board at our cashier counter.
Don't miss the chance to see it up close during your visit!
Terima kasih, Malaysia! Seronok sangat!
My first durian ice cream experience left me shaking🥶🟢🍦
Jumpa lagi!Kuala Lumpur🫶
#LiSA_ASiATOUR2026 NEXT STOP in TAiPEi🚚🍓
#LiSA15th
If you’re a fan of Japanese music and live outside of Japan, I would be so grateful if you take a moment to read this🙏
If you’ve ever wondered why more Japanese artists don’t reach out and do shows & tours overseas, the reason is pretty simple and the main one is the hurdle of selling tickets.
There is only a SMALL percentage of artists that can rely on the power of big labels/agents to promote their shows internationally.
Even in Japan, selling out shows is a lot more challenging than in past years, due to people just being satisfied with digital content. And considering it costs even more to bring a tour overseas, you can imagine how many artists are willing to LOSE money by doing so, if any.
It’s not just about the artist not being popular or sufficient enough, or that they don’t have the will to bring their content to fans around the world. In fact, there are so many fellow artists around me that I highly respect, telling me they wish they could do shows overseas, but know it’s not realistically possible, and as someone who yearns for the same thing, it really, really hurts inside.
More importantly, it hurts most that fans around the world will often never ever be able to see a show of their favorite Japanese artist.
I’m not trying to ask for pity, nor demand anything, unless this resonates with you.
But if it does, and you want to know what you can do to help us reach you with our music, it’s really very simple.
Please go follow artist’s socials.
Please go subscribe to their Youtube channels.
Please find them on Spotify.
Please interact with them by commenting and letting them know you’re there to support them.
Please share your passion with the people around you.
AND PLEASE, don’t miss the opportunity to buy a ticket and GO to their shows, when that miraculous opportunity comes, whether it’s a solo or event stage.
I am not exaggerating when I say it IS a miracle and it might never happen again.
I know writing all this isn’t gonna change much, but I just hope it reminds you that every listener, every fan, every second of support matters in keeping music alive, particularly in this generation.
Thanks for listening, if you made it this far🫶
Let’s keep Rocking On.
NANO
All songs were written, produced, composed, performed, mixed/mastered by me. Sometimes I forget that people don’t assume this so it’s important that I mention it. The process to make these songs was so unhealthy. It’s kinda embarrassing the amount of time I spent on them. And I don’t think I should do it again unless I figure out how to adjust my process.
Hack COMPLETE! Hi everyone, it's me, Diana! I'll be posting here for a little bit! I'm so excited to learn about Earth from you all. Let's play together, okay?