Sese

✍🏼

[Sese @xenosese]

Hilazo de fotos y vídeos que hice en Noruega porque sí

[DiscussingFilm @DiscussingFilm]

‘SPYRO: A REALM BEYOND’ has been announced.

Releasing in Spring 2027.

[MauroRex4883 🇨🇱 @MauroRex4883]

NUEVO JUEGO DE SPYRO!!!!

[BAFTA Games @BAFTAGames]

A Senua game is always guaranteed to look stunning

[Spyro @SpyroTheDragon]

It's good to be back. https://t.co/tOGD1Sopz7

[Toys For Bob @ToysForBob]

Welcome back, friend 💜

[Ninja Theory @NinjaTheory]

Announcing Senua, a bold new Action-Adventure game, set in the Hellblade universe. Coming 2027.

Wishlist now https://t.co/sPbsDB3quQ

[Radec @realradec]

MY BOY SPYRO IS BACK LETS GOOOOOOO

[XBOX @XBOX]

SPYRO?!?! (yes, Spyro)

Spyro: A Realm Beyond is coming Spring 2027 | #XBOXShowcase

[Spyro @SpyroTheDragon]

Take flight on a bold new adventure.

Spyro: A Realm Beyond, coming Spring 2027.

[TheNCSmaster @TheNCSmaster]

Remaster of a widely known easily accessible masterpiece
vs.
Remaster of 20+ year old hidden gem only the real ones know about

[DiscussingFilm @DiscussingFilm]

First trailer for the remastered version of ‘GODZILLA DESTORY ALL MONSTERS MELEE’.

Releasing on November 3.

[Sese @xenosese]

Me vuelvo loco??????????

[Wario64 @Wario64]

dealabs/billbil-kun: Godzilla: Destroy All Monsters Melee Remastered releasing Nov 3, 2026 from Pipeworks/Atari (PS5/Switch 2 physical, Xbox Series digital, $30/$40)

Includes new online MP mode, additional single player campaigns, revised unlock system

https://t.co/R897xpR9kV

[Wolf ︽✵︽ @badwolf48f]

Ah si

El videojuego sobre como la vida de las mujeres se convierte en miseria por culpa del patriarcado. Nada woke, si.

[Yuste @el_yuste_]

¡El Ñ3 de 2026 ya está programado!

Lo podréis ver en Youtube. TODO EL MUNDO puede reaccionar.

Domingo 7 Junio a las 17:30 🇪🇸 - 40 juegos, 49 minutos. ¡Espero que os guste!

¿RT?

https://t.co/oIv0x3cja6

[Culture Crave 🍿 @CultureCrave]

'The Lost Wild' director Gary Napper shares new details about the game 🦖

"From the outset, our goal has been to create a world where dinosaurs are not framed as monsters, but as believable animals. They exist within the world with their own instincts, behaviors, and drives. This shift in perspective fundamentally changes the player’s role. You are not the dominant force, the hero or the conqueror, you are the outsider, vulnerable and exposed, trying to navigate a food chain where you no longer sit at the top"

"We emphasize tension through vulnerability. The player is not equipped to kill these creatures, although they can find tools to defend themselves. The experience avoids gamified or arcade-like systems that would undermine that tone. There are no exaggerated weak points or predictable attack patterns designed for exploitation. Instead, survival depends on observation, learning, and reaction. When encounters happen, players evade, hide, create distractions, and use the environment to escape"

"The environments in The Lost Wild are dense, claustrophobic, and unforgiving, with abandoned buildings embedded within an overgrown wilderness. This is not a wide-open safari, it’s a place where visibility is limited, paths are unclear, and the landscape itself can disorient you. Through this, we create the feeling of being lost, both physically and psychologically"

"My experience working on 'Alien: Isolation' has inevitably shaped how I approach horror design and is definitely a lens I view this game’s design through ... In 'Alien: Isolation', the creature was terrifying not just because of what it could do, but because of what players imagined it was going to do. The sense of anticipation and fear built in the unknown. That same principle applies here in a lot of ways. By treating dinosaurs as systemic, unpredictable entities rather than scripted events, we create a more dynamic and personal form of horror. The difference here is not just that you can’t fight back, it’s that you feel like you shouldn’t. Maintaining a respect for the dinosaurs as living creatures, while trying to survive in a world with them"

More broadly, I think there’s a growing appetite for experiences that move away from the power fantasy. Horror becomes far more effective when the player feels exposed, when control is limited, and when success is uncertain. The Lost Wild leans into that approach offering an experience where survival is never guaranteed and dominance is never assumed.

"Ultimately, The Lost Wild is about placing players into a world that feels grounded, real, indifferent, and alive, and then asking them to navigate it not as a hero, but as something far more fragile but relatable. 'If I were there, what would I do?'"

Releasing in 2027

[Kiddo🌿 @Kiddo2609]

Cuando estoy jugando Metal Gear Solid pero el protagonista no es un engranaje sólido metálico

[🚫 Pᴜɴɪsʜᴇᴅ Wᴏʟᴋᴇɴ @higodelaluna]

Si a día de hoy Samus Aran se quitase el casco y resultase ser una mujer os pasaríais los siguientes doce meses llorando.

[Sese @xenosese]

Todo lo que se vio me lo voy a turbo reventar porque no se vio nada ni medio regulero. Pero se pueden criticar las cosas.

[Sese @xenosese]

- filtrado de hace dos años (mola que flipas)
- filtrado de hace años + ya se sabía
- remake filtrado
- ya lo habían enseñado
- remake + ya lo habían enseñado
- ya lo habían enseñado + demo (guay)
- la única sorpresa del evento

Third partys y sin sorpresas = decepcionante

[Jota @RPGHer0]

Nunca pensé leer que un evento con:

- Nuevo GoW
- Wolverine
- Rayman Retold
- Nuevo Silent Hill
- Tomb Raider Remake
- Onimusha Demo
- Until Dawn 2

Es "decepcionante".

No sé qué os ha pasado gente, pero ya no os gustan los videojuegos.

[Sese @xenosese]

Buena conferencia en cuanto a dinamismo, pero no puedes anunciar un state of play a bombo y platillo como si fuera una revolución y el 90% ya se había enseñado y el otro 10% filtradisimo. Faltó sorpresa y first partys, no pasa nada por decirlo.