xf jiang

Likes reading, classic music and thinking.

[xf jiang @xfjiang5]

@artblocks_io @williamapan The ETH developer conference and other crypto community meetings are where you should really be going. Those are the people most likely to become collectors.People in Basel probably have no idea what you're doing.

[El Club del Arte 🎨📷📚🖼🕍🎼 @Arteymas_]

Salvador Dalí, Mariposa Venus, 1947

[El Club del Arte 🎨📷📚🖼🕍🎼 @Arteymas_]

Ventana del Estudio de Vincent en el Asilo - 1889, Vincent van Gogh

[El Club del Arte 🎨📷📚🖼🕍🎼 @Arteymas_]

¿Qué somos? (Centro): Varias figuras en la madurez de la vida; destaca un joven en el centro que estira el brazo para recoger una fruta, simbolizando el deseo y la experiencia humana.

[xf jiang @xfjiang5]

Offering free casting at fixed times is a scheme that benefits scientists but is unfair to collectors.Can @opensea design a pre-selection lottery system that is fair to everyone?Surprise those who are lucky.https://t.co/3asaGIghoG

[OpenSea @opensea]

His work hangs in MoMA, the Met, and the British Museum.

Now, it comes to OpenSea.

"Faces" by @hafftka. 99 unique 1/1s.

Fifty years of practice in one collection.

Mint: April 29, 12 pm ET (link in next tweet) 👇️

[El Club del Arte 🎨📷📚🖼🕍🎼 @Arteymas_]

Esta obra, que sigue los cánones del Simbolismo, es una tela con decoraciones y mosaicos sobre un fondo dorado.

Está expuesta en la Österreichische Galerie Belvedere de Viena. Normalmente las obras de Klimt creaban escándalos y eran criticadas como "pornografía" y por ser "excesivamente pervertidas".

La obra se encuentra de forma permanente en la Galería Belvedere en Viena, Austria. Es tan importante para el país que nunca sale en préstamo a otros museos.

[El Club del Arte 🎨📷📚🖼🕍🎼 @Arteymas_]

Claude Monet, Mañana en el Sena, 1897

[El Club del Arte 🎨📷📚🖼🕍🎼 @Arteymas_]

Impresión, sol naciente es un cuadro del pintor francés Monet, que dio su nombre al movimiento impresionista. Se conserva en el Museo Marmottan Monet de París.

Fue pintado en 1872 y pertenece al impresionismo, movimiento que surgió en Francia en la segunda mitad del siglo XIX, que buscaba captar la luz y el instante efímero en lugar de la representación detallada.

Se caracteriza por pinceladas rápidas, colores puros y pintura al aire libre, rompió así con el arte académico tradicional. Este autor representa el paisaje o el entorno del puerto de Le Havre con muy pocos toques de pincel.

[El Club del Arte 🎨📷📚🖼🕍🎼 @Arteymas_]

Joseph era un empleado de correos (no exactamente un cartero, sino un oficial de despacho en la estación). Vincent amaba el azul intenso de su uniforme con botones dorados y la gorra con la inscripción "Postes", que contrastaban perfectamente con su barba rizada.

La obra muestra el uso audaz del color y las pinceladas gruesas (empaste) típicas de Van Gogh. En esta versión de 1888, el fondo suele ser plano o con motivos florales (en versiones posteriores), lo que resalta la dignidad del personaje.

[xf jiang @xfjiang5]

No one is happy to see the market value of their possessions gradually decrease. Even the most ardent art collector will gradually lose confidence. Human nature cannot be changed.There's no point in burying your head in the sand.https://t.co/s6tYTCIp1h

[David.6529 @punk8164]

NFTs aren’t a trade. They’re a property system.

Before NFTs, digital culture had infinite distribution but zero ownership. Everything spread, nothing could be truly owned. Value went to platforms.

NFTs changed that.

Now culture can spread infinitely and be owned finitely.

That’s a big deal. Especially for art, where value has always come from provenance, story, and cultural relevance. NFTs don’t change those, they upgrade them:

- perfect, global provenance
- infinite distribution without breaking ownership
- borderless, liquid markets

People keep waiting for NFTs to “come back.”

But what’s actually happening is quieter: a parallel system for owning digital culture is compounding in the background.

And most people will miss it.

Because this isn’t about speed or hype like the first NFT cycle. It’s about owning pieces of the internet that matter.

The real question isn’t if NFTs return.

It’s how much of culture moves onchain and who owns it when it does.

[xf jiang @xfjiang5]

AAVE should now organize a group of leading projects to establish a DeFi insurance fund to provide user funds protection in the event of a security incident, and maintain the fund's long-term existence by paying regular insurance premiums.https://t.co/RvdcnyBDoQ

[Aave @aave]

Aave service providers have published an Aave DAO governance proposal to contribute 25,000 ETH to the ongoing DeFi United effort.

Aave DAO's ETH contribution would go towards the plan to restore rsETH's backing to try and normalize market conditions as quickly as possible.

DeFi United.

https://t.co/h4LXUqedpP

[El Club del Arte 🎨📷📚🖼🕍🎼 @Arteymas_]

La obra destaca por su manejo de la luz, el color vibrante y las pinceladas fluidas que capturan un momento de alegría y ocio burgués. La disposición de las figuras crea una sensación de movimiento y conversación animada.

[El Club del Arte 🎨📷📚🖼🕍🎼 @Arteymas_]

Vincent van Gogh, el restaurante de la Sirène en Asnières, verano de 1887

[xf jiang @xfjiang5]

This is how NASA's Kennedy Space Center works.https://t.co/uduudTgXQ6
https://t.co/KzNVcVdLOB

[Disrupted Star @DisruptedStar]

Voyager's birthday.
Published on @artblocks_io 3 years ago.
Enjoy the video, a 4 minutes journey in Voyager world.
Sound on, and fullscreen advised.
Share and spread.
Voyager is code based.
https://t.co/k9Ee6npclV

[El Club del Arte 🎨📷📚🖼🕍🎼 @Arteymas_]

Rembrandt, Retrato de un hombre leyendo (1648)

[El Club del Arte 🎨📷📚🖼🕍🎼 @Arteymas_]

Vincent van Gogh, Un par de zapatos, 1887

[El Club del Arte 🎨📷📚🖼🕍🎼 @Arteymas_]

De hecho, en la cima, los alcatraces parecen seguir hacia el horizonte el mar de sombreros. Rivera quiere mostrarnos por un lado la belleza y por el otro las arduas condiciones de trabajo de los agricultores, una dualidad expresada en la variedad cromática y en cierta monumentalidad de figuras humanas que escapa al realismo y hunde sus raíces en el cubismo.

[xf jiang @xfjiang5]

SUI Chain places great importance on security. If it can leverage this AAVE incident to launch a complete and workable security solution, it would represent a rare opportunity for development.https://t.co/F9v0jzEeux

[Sui @SuiNetwork]

How does a chain succeed in the long run?

@evanweb3 and @LoganJastremski discuss why blockchains must operate on sustainable and concrete business models.

The market is correcting for projects with no bottom line. Sui is executing a model built for the long term.

[xf jiang @xfjiang5]

Because of its evasive words and hesitant actions, a tiny amount of bad debt caused a huge panic. AAVE acted very unprofessionally this time.https://t.co/jEYnoS3Lu4

[Aave @aave]

Update on rsETH incident:

WETH reserves on the Ethereum Core V3 market have been unfrozen and users can supply WETH to Ethereum Core V3 again. WETH LTV remains at 0.

WETH reserves on Ethereum Prime, Arbitrum, Base, Mantle, and Linea remain frozen.

Aave service providers will continue to work on next steps and provide updates accordingly.

[El Club del Arte 🎨📷📚🖼🕍🎼 @Arteymas_]

Abraham Neumann (polaco, 1873–1942)
"El tren nocturno", 1930.
Óleo sobre lienzo, 47 × 38,2 cm.
Colección privada.