So I'm starting to pay more attention to Rustage's use of assonance, and how did he come up with "tracks, Medusa" for "Hallelujah"?
How?! That is so freaking brilliant, not just in and of itself, but also given the context of the verses they come as part of.
So I'm reviving my podcast. And today's Day 2 of the endeavour.
Haven't used X in a while. But now it's time.
This shall be the new logo. AWE, short for, A Writer's Explorations.
Also, denotes what my intention with the podcast is, to awe.
4/4
or maybe a lot that I missed.
I especially think there's more to the "no mood to argue" verse that I didn't pick up on because of the limited knowledge of this craft that I'm working with.
A thread of what I noticed this morning (1/?):
In Rustage's Anubis rap, he pulled this off in assonance-
Tutankhamen
do whatย Raย do
fast food
cartouche
cartoons
argue
boom andย ankh, too
to start soon
3/?
need to learn more about.
With "boom and ankh too" not only is "Tutankhamen" almost being replicated in vowels, but "do what Ra do" is being exactly replicated.
The line after follows this assonance quite closely.
I'm sure there's a few more things
@garyvee I'm a content writer, and I've worked freelance, have worked in-office in an agency and I've worked remote.
The clientele included: a Gen AI company, two energy companies, a home bakery biz, a mineral water company, a restaurant software company, etc.
I've been studying @danielrustage 's raps in my free time and the more I'm practicing writing raps, the more I'm noticing the things he does.
In at least a few cases when the rhyme or assonance changed, the flow changed too. I might try to replicate that.
The group exhibition is currently being held in Soorim Art Center, Seoul, South Korea. My artworks are displayed there!
Open from 11 AM to 5 PM. Not open in weekend.
์ ๊ฐ ์ฐธ์ฌํ ๋จ์ฒด์ ์ด ๊นํฌ์ ์ํธ์ผํฐ์์ ์ด๋ฆฌ๊ณ ์์ต๋๋ค!
์ค์ 11์๋ถํฐ ์คํ 5์๊น์ง. ์ฃผ๋ง์ ์ด์ง ์์ต๋๋ค.